Showing posts with label Cinematic Theory. Show all posts
Showing posts with label Cinematic Theory. Show all posts

How Andor deepens the entire Star Wars universe


Andor is a prequel to Rogue One and may be the best Star Wars property ever, standing on the shoulders of giants. Andor's complex and detailed worldbuilding unpacks both the Empire and the Rebellion, giving the viewer a new and expanded perspective on both. 

The Emperor Has No Clothes (TEHNC) is a podcast devoted to unpacking the lies we believe and the truths we can't see. We frequently cover the transformational aspects of popular media and the ways it can evolve societal consciousness at scale.

NOTES
 
Andor is the first Star Wars show we'd consider a masterpiece. Andor creator Tony Gilroy famously "saved" Rogue One, and here Gilroy had nearly complete creative freedom to bring to life the preceding 5-year arc of rebel fighter Cassian Andor, and the physical, mental and spiritual journey that brought him to the events of Rogue One. Andor's first season has just ended and we decided now was the time to bring back the dormant TEHNC (The Emperor Has No Clothes) Podcast for a discussion on an angle we haven't seen anyone else cover: that Andor's deep-dive into the grinding bureaucracy of the fascist Empire, as well as its compassionate close depiction of the seeds of the rebellion, not only illuminates both of those Star Wars domains but actually deepens all other Star Wars works, past and present. In other words, the "referential density" of our new knowledge about the inner workings of these domains means when we watch other Star Wars works (like the original Star Wars film) we will have a whole new sensory understanding we didn't have the first time around. 

Needless to say, you should NOT watch this discussion if you haven't already seen Andor and Rogue One. Rogue One is the story of how the rebellion got hold of the plans for the Death Star, and it ends literally at the moment Star Wars (Episode 4, technically) begins. It has emerged as one of the best-loved Star Wars films, probably because it deepens our grounded understanding of what it means to sacrifice for a higher cause. Andor is a prequel to Rogue One and it greatly expands the terrain of Rogue One, showing us the lived experience of being inside two adversarial fields, that of the Empire and that of the Rebellion. It's a deliberately-paced, complex and masterful work packed with memorable characters and tremendous specificity. We can't recommend it highly enough.

Find us on Twitter: Jonathan: @MagicPeaceLove Mark: @MarkAllanKaplan

What Makes a Media Work Integral?




This was a special event for all past and present transformative media shaman course participants, along with members of the wider Integral community. In this session, we explored the big question that everyone has been asking us over the years..."What makes a moving image work Integral?" 

Mark Allan Kaplan, Ph.D., Founder and Executive Director of the Integral Cinema Project, started us off with a deep dive into the basic patterns his years of research have revealed and then we opened it up for a deep community exploration of the topic. 

Media Yoga - Media Shaman Studio Event


Research shows that the human brain processes moving-image-based media the same way it processes dreams and the human imagination. When we are deeply immersed in moving images our bodies react as though we are having a lived experience, which gives it the power to deeply affect us individually and collectively.

Renowned French philosopher, sociologist and complex thought pioneer Edgar Morin spoke to the transformative power of media: 

By means of the [cinematic] machine, in their own likeness, our dreams are projected and objectified. They are industrially fabricated, collectively shared. They come back upon our waking life to mold it, to teach us how to live or not to live. We reabsorb them, socialized, useful, or else they lose themselves in us, we lose ourselves in them. There they are stored ectoplasms, astral bodies that feed off our persons and feed us, archives of soul. (The Cinema, or the Imaginary Man)

In essence, moving image media are collective dreams that have a profound impact on how we view ourselves, each other and the world around us. 

As media consumers, every media work we consume is food for our psyches and our souls. Like the food we eat, our media diet has a profound effect on all aspects of our lives. Conscious media creators, too, must therefore be awake to the power of the keys they hold, as well as the responsibility to use it wisely.

Which brings up the question: How do we use this powerful and pervasive aspect of our lives in a healthy and transformative way?

Through many years of research and experimentation, along with actual clinical studies, we have developed an approach to harness the power of media for healthy and transformative purposes using the viewing and creation of moving image media as a form of Media Yoga. While Tibetan Dream Yoga uses individual dreams as yogic practice, this approach uses the collective dreaming of the moving image as a transformative practice that helps us to be able to discern how media is affecting us, what type of media we want to consume and include in our media diet as well as giving us practices to use that diet as a path to help us evolve into higher, deeper and more expansive ways of being and becoming. 

For this month’s Media Shaman Studio we will explore this form of yoga and give you some simple practices you can employ to use media in a healthy and transformative way as a consumer and as a creator.


Be sure to join us for our live discussion on 
Wednesday May 19th at 12pm PT.

FIND OUT MORE HERE


Media Shaman Studio is a monthly in-depth public lecture and discussion series on the relationship between consciousness and media with host and facilitator, Mark Allan Kaplan, Ph.D and Jonathan Steigman. This series is offered for free and is open to all members of the Conscious Good Creators Network, the general public, and participants in our Media Shaman courses.

 

 

Integral Holiday Movies to Warm the Heart and Stir the Soul (and the Evolutionary Impulse)


This  holiday season finds the world still reeling from the pandemic amidst major polarization and conflict between ideological perspectives. The limits on our social interactions have amplified the psycho-dynamic separation and tensions of the growing ideological divide distancing us from each other mentally, emotionally and sometimes even spiritually. Many of us are seeking new ways to celebrate the holidays that honor and respond to the present moment.

I myself have been feeling a need to find solace in the holiday season spirit while also wanting to keep a clear head about the world situation. How can we combine the holiday light with a dive into the shadows of the great challenges ahead? One way I found is by watching integrally-informed holiday movies that attempt to both warm the heart and stir the soul, or -- from the integral perspective -- stir the evolutionary impulse within us by working with our shadow material. 

Below are a few classic and newer Christmas-oriented films that can help us do just that. What connects these works is their integration of an evolutionary perspective into their cinematic realities. Their characters face challenges and have to find ways to grow and evolve through them, all the while learning deep lessons on facing their shadowy fears, healing their buried wounds and pushing through the barriers of their comfort zones. Of course they all have happy endings, but these happy endings are earned by a revelation of the heart and mind, and not solely by the resolution of a conflict. This holiday season, we can watch these with an awareness of their potential use as a form of media-assisted shadow work and bring our attention to these underlying dynamics and reflect on similar patterns in our own lives.

Christmas Classics

This year I discovered that two of the most highly regarded holiday classics of all time are integrally-informed: Frank Capra’s It’s a Wonderful Life (1946) and the quintessential Santa movie Miracle on 34th Street (1947). 

It's a Wonderful Life (1946)

This Frank Capra Christmas classic is an early stage integral work that maps how the main character George Bailey (James Stewart) evolves from egocentric to Kosmocentric circles of care and concern. The film shows us how we can evolve through various stages while also holding onto earlier stage drives and projections. In George's case he holds onto his childhood egoic dream of being a world explorer who does great things, all the while not realizing that he was already doing great things as he developed throughout his life. The film’s beautiful journey teaches us that it is often the little things we do in life that end up having the biggest impact in the long run. The film is also told directly from the Kosmocentric witness perspective, that of the angels watching over George beyond the dimension of the world of form (Currently available on Amazon Prime, Google Play, iTunes and YouTube).

Miracle on 34th Street (1947)

The quintessential Christmas movie, this classic is perhaps the most magical Santa Claus movie ever and yet it shows no magic directly. The miracles Santa brings are miracles of consciousness. He is operating at a higher and more integral level than everyone else and is able to see how they are trapped in their worldviews and constructs. He gently (and sometimes not so gently) awakens them to higher dimensions of being and becoming. He is also very human in many ways, sometimes losing his faith that he can save Christmas, which only adds great depth to the wonderful performance by Edmund Gwenn. Although we end with a hint this man may indeed be Santa Claus, we are left with only a sense of standing at the edge of a great Kosmic mystery (Currently available on Amazon Prime, Disney+, Google Play, iTunes and YouTube).

During the last couple of years I uncovered two more recent integrally-informed holiday works, both TV movies: Dear Santa (2011) from Lifetime and 12 Dates of Christmas (2011) from Freeform. 

12 Dates of Christmas (2011 TV Movie)

A sweet and sappy Christmas movie that uses the integrally-informed evolutionary time loop formula from Groundhog Day with a Christmas spin and a female main character. 12 Dates is a cute little movie filled with holiday spirit, light on the outside with deep evolutionary patterns on the inside as the main character grows, heals and evolves through several stages of development (Currently available on Amazon Prime, Disney+, Freeform, Hulu and iTunes).

Dear Santa (2011 TV Movie)

Another sweet and sappy Christmas movie that follows a female character through her evolution during one holiday season. Our main character is swept into a period of accelerated development when a little girl's letter to Santa appears to magically find its way into her hands. The letter sends her on an emotional journey that helps her evolve from an egocentric spoiled and ditzy rich girl to a more mature woman whose circle of care and concern has expanded to include all of humanity (Currently available on Amazon Prime, iTunes and YouTube).

Extending my search beyond individual movies, I have been researching the entire genre of holiday movies, in particular Hallmark Movies, and mapping their structures of consciousness patterns to see why these genres are so successful across religious, cultural and political boundaries. 

Hallmark Movie Genre

Holiday movies in general owe their roots in many ways to the two integral holiday classics we examined above, It’s a Wonderful Life and Miracle on 34th Street. The Hallmark movie genre includes the holiday movie genre but also other types of family-friendly works. These include its classic Hallmark Hall of Fame for its highest quality more literary works. They also include its Hallmark Channel original movies, which cycle through seasons of celebration and romance with a yearly slate of movies focusing on Christmas, Hanukkah, Valentines Day, Easter, Passover, wedding season, and special seasonal love stories for winter, spring, summer and fall. Hallmark also has a mystery channel which adds the “solving a mystery” twist to their genre patterns. This genre is so successful it is being copied by other channels and services including Netflix, Amazon Prime, Lifetime, Freeform and UP TV. All told, hundreds of these movies have been produced over the years, and in recent years around 30 to 40 are released each year.

What I have learned from analyzing all these works is that the Hallmark movie genre in particular is in many ways integrative. It seeks to integrate traditional, modern and postmodern worldviews and values. It works to transcend the polarities we see in the world around us right now. 

The Hallmark holiday movie universe, for instance, is a world where political ideologies are mostly transcended, showing us a world in which conservative, traditional, liberal and progressive values can co-exist and actually support each other. So rural and small town America becomes the symbol of family and traditions that ground us. The city is where we go to find our dreams, search for ourselves and learn valuable life lessons. But in the end we can only truly find our true selves and live our dreams when we return home after all our seeking and find everything we were seeking inside ourselves...with the help of family and friends and sometimes even otherworldly forces. Sometimes these stories even transcend the rural/city divide by having a story take place solely in one environment but represent the traditional-progressive integration values within subcultural patterns. 

In this cinematic universe most of the stories are love stories, and they tend to focus on a strong female lead. Both men and women (and more recently of different races, faiths and gender identities) are seen as being able to have it all once they realize that the achievement of worldly goals is not truly valuable unless it is human centered and human grounded. 

(Hallmark movies are available online on Hallmark Now streaming service with a 7 day free trial)

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Whether we just watch the classics or dive deep into the feel-good movie ocean, with these movies we have the potential to lift our hearts and spirits while reflecting our own inner and outer challenges. We can consciously use these works as a mirror for our own challenges, and as a way of facing and working through that which has wounded us and been buried in the shadows of the unconscious. We can even get a taste of a possible future where the cultural divide no longer exists, a place of “peace on earth and goodwill to all.”

And if you wish to go deeper into media-assisted shadow work 
during this holiday season, 
join us on Sunday December 20th at 12 noon PST 
for our FREE virtual discussion on 
as part of our monthly Media Shaman Studio series.

 

"The Social Dilemma" and the War on Consciousness



Welcome to the new Media Shaman Studio (formally Conscious Movie-of-the-Month)

Featured Topic: Netflix’s new documentary The Social Dilemma (2020) and the war on consciousness.

Virtual Discussion Date: Sunday, October 18th, 2020 at 12 p.m. PT

There is a war on our consciousness. The main battlefield is the social media sphere. Our screens are the frontlines. The targets are our hearts and minds. There is no single enemy. Our freedom and democracy itself are at stake. The war is bleeding into our relationships and onto our streets. Many military historians and strategists believe we are in the middle of World War III. They speak of a new form of war called Nonlinear Warfare. This approach integrates advanced propaganda and social programming techniques with the weaponization of social media platforms, big data and A.I.. This form of warfare has been open-sourced, and nation states, corporate states, political parties and movements, splinter groups, subcultural groups and more are using it to vie for control and power by creating chaos, confusion and polarization in all dimensions of civilization. The other great World Wars included some nations, but not all. This war is covering the entire planet. Every human being in the world is a combatant. Is this the war to end all wars? Is there something more going on? Is this all part of the great transition in consciousness we are called to make during this Age of Transformation?

Join us this month as we begin our new Media Shaman Studio series with an exploration of this war on consciousness and it’s transformative potentials using Netflix’s new documentary The Social Dilemma (2020) as our leaping off point. This profoundly resonant documentary delves deeply into how the utopian dreams of those who helped create social media platforms have been shattered by its weaponization against the very ideals they were working toward.

If you have not seen The Social Dilemma you can stream it on Netflix. You are also invited to share your thoughts, reflections and musings about the film in the comments section below.. 

And of course join us on October 18th at 12 p.m. PST for our virtual discussion of the film, the war on consciousness it addresses, and how this all speaks to us at this moment in human history. As part of our virtual discussion we will be sharing a perception practice specifically designed to use this film for training us in the new emergent consciousness this war is calling us toward.


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Media Shaman Studio is a monthly in-depth public lecture and discussion series on the relationship between consciousness and media with hosts and facilitators, Mark Allan Kaplan, Ph.D and Jonathan Steigman. This series is offered for free and is open to all members of the Conscious Good Creators Network, the general public, and participants in our Media Shaman courses. 

If you have not already joined our FREE Media Shaman Studio group, you can still join us anytime by signing up for a free membership at the Conscious Good Creators Network.

Conscious Good Creators Network presents the Conscious Movie-of-the-Month Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

Watch the video replay of this event HERE.


 

Transformative Media Course for Pandemic Tmes



Announcing our new 14 week online course... 


Transformative Media Creation and Reception for Pandemic Times - 

Designing and Creating Transformative Media Experiences for Self, Other and World 


with Mark Allan Kaplan, Ph.D.


Starting Soon



With most of the planet reeling from this pandemic, we are facing major shifts in ways of being, interacting and engaging with self, others and the world. We at the Integral Cinema Project and Campus Co-Evolve are rising to meet this moment by offering a redesigned version of our popular media course Transformative Media Creation & Reception.

In this course, we will delve into the co-evolutionary relationship between moving-image-based communication media, consciousness, culture and society, and how these media can be used as a driving force for individual and collective development. It will provide you with a comprehensive toolkit for designing media to catalyze healing and growth.

 In this special offering, we will be focusing on each of us creating a short video to help people through these challenging times. NO PREVIOUS MEDIA MAKING EXPERIENCE REQUIRED, although experienced media makers are most welcome and will find this unlike anything else they have ever studied. You will be trained in a groundbreaking new approach to help you tap into the calling of this moment, both for yourself and for the collective. You will learn how to listen to what you are called to communicate through your own unique gifts and talents, and develop it into a short media project with the support of the faculty and learning community of this course. You will be using your smart phones for recording new content and using free online stock footage and sound resources.

 For those of you at home with families we will be offering you ways to make this process part of your kids homeschooling and a way to bring your family together. For those in extended communities, we will offer you ways to communicate with your fellow community members and even include them in your process.

This course is being offered in association with Campus Co-Evolve and is open to all through a "pay-what-feels-right" model, with a suggested donation for those who can afford to contribute and scholarships for as many others as possible.

NOTE: Course session days and times open to change to accommodate as many participants from different time zones as possible and due to the challenges of the times...





For more information and to sign up for this course visit: 

Campus Co-Evolve: https://campus-coevolve.org/
Admissions: https://campus-coevolve.org/admissions/

Transformative Media Creation and Reception Course



Announcing a new online course in 

Transformative Media Creation and Reception: 

Designing and Creating Transformative Media Experiences for Self, Other and World 

with Mark Allan Kaplan, Ph.D.


Starting the week of November 3, 2019


This is a course for aspiring and accomplished change makers who want to learn how to use media to extend and deepen their efforts to create transformation in self, other and world. It will illuminate the comprehensive toolkit for designing media to catalyze healing, personal growth and the evolution of consciousness on an individual and collective level.

Together, we will learn about the co-evolutionary relationship between moving-image-based communication mediums, consciousness, media, culture and society, and how these mediums can be used as a driving force for individual and collective healing, growth, and revolutionary and evolutionary change and transformation. We will also be exploring how to consciously create and receive moving image works as a transformative practice for self, other and world through the development of both individual and group projects. No previous media-making experience required.





For more information and to sign up for this course visit: 

Campus Co-Evolve: https://campus-coevolve.org/
Admissions: https://campus-coevolve.org/admissions/

Hacking "The Great Hack" - A Conscious Movie-of-the-Month Virtual Discussion


Please join us this Monday September 30th at 6:30pm PST for a live FREE virtual discussion of The Great Hack (2019), the recently released Netflix documentary on the Cambridge Analytica election hacking scandal and the role of Facebook in facilitating the mass data gathering that may have contributed to the passage of Brexit and the election of Donald Trump.

Together we will explore how this documentary explores the relationship between our consciousness and our evolving media technologies. The Great Hack sounds an alarm that should be heard by all us conscious media makers and consumers. A war is being waged for control of our individual and collective consciousness, with our media, especially social media, being weaponized against us and used to tear our society apart.

We will also be exploring the nature of the new propaganda war on our consciousness and what we can do about it as conscious media consumers and media makers. This important conversation in our community will continue beyond this month’s exploration as we roll out courses to help train ourselves to answer the calling of this moment by using media to raise consciousness. Together, we can help win the battle for the hearts and minds of humanity.

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If you have not already joined our free Conscious Movie-of-the-Month Group/Club, you can still join us anytime by signing up for a free membership at the Conscious Good Creators Network at: https://conscious-good.mn.co/share/wPseacTS1JFJmxu8?utm_source=manual

Conscious Good Creators Network presents the Conscious Movie-of-the-Month Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

To find out more about this free event and register to attend visit: https://conscious-good.mn.co/events/hacking-the-great-hack-a-conscious-movie-of-the-month-virtual-discussion


“What the Bleep Do We Know” about Tapping into the Zeitgeist?

What the Bleep Do We Know (2004)

Exploring What the Bleep Do We Know (2004) as this month’s Conscious Movie-of-the-Month selection has made clear that one of the major hallmarks of this work is that it somehow tapped into the zeitgeist, or the spirit of the times. The historical data suggests that a media works’ potential to achieve financial success or major transformative impact is directly related to its relationship to the zeitgeist, or collective field at the time of its release. Even traditional entertainment industry watchers have recognized this issue, as reflected in this Hollywood Reporter article from 2015. This is a wonderful insight, to be sure, but it begs a larger question: Is it possible to create a media work with the intention of connecting with the zeitgeist? Or is this too subtle and complex a connection for us to work with on a conscious and direct level?

Using What the Bleep as a case study I think is valuable for helping us examine this question. What we have learned from the filmmakers William Arntz and Betsy Chasse, and one of the distributors of the film, Ron Laurie, during this month was that they were conscious of it happening on some level at some point during the creation process, and they attempted to ride the wave the best they could in each of their own ways and as a team. Exploring their distribution efforts, we see an example of using an integral approach to consciously tap into the zeitgeist wave and maximize the ride…which they did successfully.

I have been researching this potential to consciously tap into the zeitgeist, or as we say in Integral Theory, tapping into the “evolutionary impulse,” or the driving force of the evolving universe. From this perspective the zeitgeist can be seen as the current collective field within the evolutionary stream of a culture and society. The key to tapping into it is to become conscious of the evolutionary arc behind this wave. Becoming conscious of the evolutionary arc that has led to any given moment in the life of an individual or the collective has the potential to give us the capacity to sense the energy of trajectory of this collective wave, and in turn the evolutionary impulse behind it. While this is a very complex and subtle process our research suggests it is indeed possible to consciously tap into the zeitgeist and evolutionary impulse, and thus increase our chances of both audience reach and transformative impact.

To learn more about this process and how you can ride the zeitgeist wave yourself, be sure to join Trina Wyatt, myself and special guest, What the Bleep co-creator, Betsy Chasse for our live virtual chat on Wednesday June 26th at 6 pm PST.

Inside “What the Bleep Do We Know” - A Special Conscious Movie-of-the-Month Experience for June 2019


Our Conscious Movie-of-the-Month exploration for June 2019 is What the Bleep Do We Know (2004). This month we have a special treat for all us conscious media creators and fans, one of the filmmakers who worked on the film, our very own Betsy Chasse, will be joining us in our exploration along with some potential surprise guests from the production team, sharing some of their behind the scenes experiences and perspectives on the film with us both online during the month and in our virtual chat at the end of the month (date and time to be announced).

You are invited to watch What the Bleep Do We Know on your own and feel free to share your thoughts, reflections, musings and questions about the film in our group’s online discussion forum.

We chose What the Bleep Do We Know because it is considered by many to be a landmark work in the conscious media movement, being one of the very first movies about consciousness to penetrate the mass market. It was also groundbreaking in terms of visually capturing patterns of consciousness itself and creating what is now called the hybrid documentary style, integrating interviews with both compelling narrative and powerful visual storytelling.

This film was also created during the transition between analogue and digital filmmaking and was one of the first films to tap into the cultural creative field of consciousness. Because of this the film was traversing two major evolutionary convergence streams, technological and cultural, and is a great example of a work that was in synchronicity with the zeitgeist edge of the evolution of consciousness. We are blessed to have the opportunity to hear from the filmmakers themselves about what it was like to create a work at this leading edge, and while What the Bleep Do We Know is not an integral film, all of this makes it is a fascinating case study from an integral-evolutionary perspective.

Please join your hosts Trina Wyatt and Mark Allan Kaplan and our very special guests in this very special conscious movie adventure…

Breaking the Wheel: Reflections on Game of Thrones, Selma and the Great Transition

Game of Thrones (2011-2019) Final Episode

For those of you who have been watching Game of Thrones, this is a special week...the week of the series finale. For many viewers, outsized expectations combined with mixed feelings about the final two seasons make it difficult to see the finale in a clear and deep way. Many viewers online are expressing disappointment at how the show finally turned out, while others have decidedly mixed feelings. Part of this may be due to the show’s need to wrap itself up before the book series on which it is based has even been completed. While author George R. R. Martin told the creators of the show how his saga will end, the show runners have had to create the meat around the foundational bones of the story themselves, and do it in a shorter span of time.

After a deep analysis of the series it appears that the GoT finale and the show as a whole stands as a brilliant work of integral cinema, integrating multiple dimensions of being and becoming. The series arc depicts the evolutionary transition away from the monarchy system and into the stirrings of representative democracy. Meanwhile, it lays bare the full arc of Daenerys’ rise as an authoritarian demagogue, strongly echoing the current political situation and evolutionary transition we are facing today.

For those of us who loved the movie Selma (2014) who are also fans of GoT, we can find some very fascinating parallels and differences between the transformations of consciousness explored in these two works. Selma is, of course, a story about a real-life event and GoT is a fictional representation of real-life processes and patterns. Both explore societal transitions, and both have resonances connected with the structures of consciousness that support prejudice, bigotry and slavery...and the struggle to transcend these structures. One explores the process of attempting to create a better world where violence is used (GoT) and the other, where non-violent civil disobedience is used (Selma).

Selma (2014)

The transition explored in GoT is about the shift from the traditional (mythic) to the modern (rational) structures of consciousness, where violence has been historically the most used transitional catalyst. Selma, on the other hand, explores part of the transition from the modern (rational) to the postmodern (pluralistic) structures of consciousness, where non-violence tends to be the most potent choice. Both of these methods relate to our current situation since the transition we are going through includes a conflict between the traditional (mythic), modern (rational) and postmodern (pluralistic) structures of consciousness, all at the same time.

In many ways, these types of transitions between different structures of consciousness and the cultural and social systems that have been built up around them requires one to “break the wheel” of the old system in order to make room for something new to emerge like in GoT…while there are also times when all we need do is try to fix the wheel like in Selma, there are also other times when it seems like the wheel of the old system breaks down by itself as it reaches these evolutionary transition points, like this moment we are all facing in our world today...and stories like these can help us see clearer and deeper and more expansively where we are and what we are called to evolve through and toward.

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*Special thanks to Jonathan Steigman for his editorial assistance in creating this article and for his contributions to the research into the “Game of Thrones” series.

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Breaking the Wheel: Reflections on Game of Thrones, Selma and the Great Transition, Integral Cinematic Arts Journal, May 21, 2019. Available at: https://medium.com/integral-cinema/breaking-the-wheel-4fca74846a12


Healers in the Hood: Reflections on the Passing of John Singleton, "Selma" and the New Consciousness in African American Cinema


John Singleton at the Premiere of “Selma” (2014)

As part of the Conscious Movie-of-the-Month Club hosted by Conscious Good Creators Network, we are viewing the film Selma (2014) as our monthly selection. I was struck by the news of African American filmmaker John Singleton (1968–2019) passing away just a few days before we started. I noticed some synchronicities or resonances between our choice of film and the life, work and passing of Singleton. Selma is the work of African American filmmaker Ava DuVernay who is part of a whole new movement and consciousness within African American cinema that most likely would not exist without Singleton’s groundbreaking work.


Selma filmmaker Ava DuVernay pays tribute to John Singleton Twitter (2019) 
 
The history of African American cinema has been profoundly affected by the history of African Americans and their struggle against great individual, cultural, social and systemic injustices and challenges. The evolutionary journey of African American media artists and their works is like a creative mirror on our collective journey as a country. Because of this great injustice gap, the evolution of African American cinema is the story of many creative, cultural and social groundbreakers fighting against a system that was and still is in many ways rigged against people of color.

Every generation has had courageous individuals who sought to break some of these barriers and open the doors to those generations to come. John Singleton was one of the brave creative souls who raised and deepened the cinematic consciousness of African American cinema by unpacking the overt and covert effects of living within the shadows of racism. His breakout film Boyz n the Hood (1991), made when he was just 23, depicted the everyday lives and realities of African Americans, going deeply personal to tap into the universal.

Since his passing many African American film scholars, critics, historians and commentators have written about Singleton’s various contributions to African American cinema and American cinema in general, including: What Hollywood Owes to John Singleton, his Influence on African American Cinema, and how he Changed Black Culture on Film Forever.

My colleague Jonathan Steigman and I created a video podcast series called New Black Cinema for White People in which we take a deep dive into the new generation of masterful young filmmakers standing on the shoulders of John Singleton and other trailblazing African American media artists. One of the groundbreaking elements of the works by this new generation is their use of both subtle and extremely overt complex communication to pierce the veil of structural white supremacy. From broad satire to quiet drama, from big budget pop culture films to low budget independent works, these filmmakers are working at the top of their game and creating cinematic works designed to raise the consciousness of American culture and society to the hidden dimensions of racism and structural white supremacy. By exploring the personal and collective costs of the hidden dimensions of racism, these creators seek a way to transcend and heal them with love and compassion for all sides.

Ava DuVernay is one of this movement’s leaders, helping and mentoring others the way Singleton did. DuVernay and this group of the new wave in African American cinema are operating at an integral or near-integral structure of consciousness, integrating all the gifts from the previous generations of activists and artists. One of these gifts is the integration of Singleton’s collective through the personal stories approach with a higher, deeper and more expansive “big picture” perspective producing more complex and multi-layered storytelling.

In Selma, DuVernay unpacks the personal, interpersonal, cultural and social dimensions of Martin Luther King’s racial and social justice consciousness raising effort during the Selma-to-Montgomery voting rights marches in 1965. So we have a film about the consciousness raising efforts of Dr. King and others on the individual and collective front lines, made by a filmmaker who herself seeks to raise consciousness even further around these issues through her works. In this, DuVernay and her cohort in this new generation are standing on the shoulders of those who came before them, including Singleton, and pushing the dialogue ever forward.

And so, this month, we take this moment to mourn and honor the passing of one of these groundbreakers as we explore one of the cinematic works that has sprung from the creative garden he helped seed.

References



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*Special thanks to Jonathan Steigman for his editorial assistance in creating this article and for his contributions to the research into this new movement in African American Cinema.

"The Matrix" and the Evolution of Consciousness

Or, taking the Red Pill and waking up to the coming of Winter: Reflections on meta-perspectival storytelling, The Matrix, Game of Thrones and our current global situation



According to my research into the potential co-evolution of the moving image, consciousness, culture and society, The Matrix (1999) helped to introduce a higher form of cinematic consciousness* into mainstream pop culture. The foundation of this higher form of cinematic consciousness could be called meta-perspectival storytelling.

Meta-perspectival storytelling refers to stories that unfold through both major and minor shifts in perspective that often reveal whole new ways of understanding and experiencing the storyworld unfolding before us. Think of the red-blue pill moment in The Matrix, or the self-as-ghost revelation at the end of The Sixth Sense (1999), the shifting realities of a television series like Lost (2004) or the progressive, reality-shaking awakening of characters to the true coming threat of winter in Game of Thrones (2011). All of these works use meta-perspectival storytelling to drive their stories and characters to greater levels of understanding and capacities.

This form of storytelling has been around for a while in various forms but not until the release of both The Matrix and The Sixth Sense in 1999, did this form penetrate the pop culture cinematic language in a big way. Since then, more and more cinematic works have been using this form of storytelling, creating deeper and more expansive works with layers and layers of perceptual realities that hide and reveal themselves over time, guiding us and the characters to greater levels of understanding and revelation. Meta-perspectival storytelling is born out of a specific stage of development and structure of consciousness, often referred to as Integral Consciousness. The key to this structure of consciousness is the drive to understand all dimensions and perspectives of our reality and integrate them into a meaningful whole, a "big picture" meta-perspective.

I find it beautifully symbolic that this month is the 20th anniversary of The Matrix (1999-2019), the film that helped birth this expansion of cinematic consciousness, and the start of the final season of Game of Thrones (2011-2019), the series that helped to evolve this form of storytelling to new levels of richness, depth and complexity for a global scale audience that more easily and deeply understands, embodies and enjoys this form of consciousness and storytelling.

I also find it rather haunting and inspiring to look at how this evolution of storytelling and viewer consciousness coincides with the ever deepening and expanding deconstruction of so many of our individual and collective mental, emotional and perspectival constructs within and around us. This deconstruction has culminated in the whirlwind of reality bubbles, fake news, propaganda networks and "alternate truth" in which we currently find ourselves. I have to wonder if all these meta-perspectival stories feeding our imaginations these last twenty years are an expression of our collective consciousness preparing us to make some big perspectival transition, helping more and more of us to wake up to the coming of our own global climate change and political, cultural and social regression winter, and to individually and collectively search for the red pill that will wake us all up in time.



*NOTE: Cinematic consciousness as I define it comes from my research into the relationship between the moving image, consciousness, culture and society. This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composite structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images. And this cinematic consciousness in turn affects viewer consciousness.

Announcing the Conscious Movie-of-the-Month Club


A Monthly Exploration of Consciousness and the Movies


Conscious Good Creators Network presents the Conscious Movie-of-the-onth Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

About the Club 

Join fellow conscious media creators and media enthusiasts each month for an in-depth look at conscious cinema with host and facilitator Mark Allan Kaplan, Ph.D. Together we will explore how consciousness is expressed in and through the movies, and how we can use movies to help us evolve our consciousness.

As a member of the club you will have access to the club’s online forum and the entire Conscious Good Creators Network. At the beginning of each month we will announce the movie of the month for us all to watch on our own and then explore together in the online discussion forum. On the last Thursday of the month we will have a video conference call where Mark will share his reflections on the movie from a conscious, integral and transpersonal perspective. Participants will also have the opportunity to share personal reflections, questions and musings.

As a member of the club you will also be invited to experiment with some of the conscious media viewing practices Mark has developed over the years. These can help you to deepen and expand the viewing experience and help you develop your own transformative media viewing practice if you so desire.

About the Host/Facilitator 

Mark Allan Kaplan, Ph.D. is an award-winning filmmaker, transdisciplinary artist, media psychologist and researcher, and the founder and executive director of the Integral Cinema Project. As an artist and media-maker Mark has been exploring conscious art and media since childhood, attempting to use these creative mediums to help himself transcend his own communication challenges of being a severe childhood stutterer. He uses his conscious art practices to find his "voice" and use that voice to help raise the consciousness of himself, others and the world. He is considered by many to be one of the pioneers in the conscious and transpersonal media movements and is the world's leading researcher and theorist in the application of Integral Theory to the cinematic arts.

For more on Mark visit: www.markallankaplan.com, and to learn about the Integral Cinema Project visit: www.integralcinema.com.

Details

  • Dates/Times: 
    • Movie of the month announcement, first of the month, starting April 1, 2019 
    • Online discussions, ongoing 
    • Video conference calls, 7pm PST, last Thursday of the month, starting April 25, 2019 
  • Cost: Free (requires free membership to the network) 
  • Host: Conscious Good Creators Network 

About Conscious Good Creators Network 

Conscious Good Creators Network is a community-driven media platform for visual storytellers dedicated to raising consciousness. Conscious Good launched the Creators’ Network as a place where conscious creators and audiences can connect. It’s a place to interact with fellow conscious media tribe members, share resources, ideas and support one another.

SIGN UP FOR THE NETWORK AND THE CLUB

Conscious Media-Making Course



Conscious Good Creators Network presents an introductory course in Consciousness Media-Making with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D. for anyone who wants to use media to raise individual and collective consciousness.


About the Course

In this introductory course we will explore what is conscious media-making, what are some of the different potential forms of conscious media-making, and how different states and stages of consciousness effect the media-making process. We will also be exploring how these structures of consciousness within us are communicated between us, the works we create and the individuals and collectives that experience our works…and how this knowledge can be used to create deeper and more transformative media experiences for creators and viewers on the individual and collective levels.

About the Instructor

Mark Allan Kaplan, Ph.D. is an award-winning filmmaker, transdisciplinary artist and media psychologist and researcher, and founder and executive director of the Integral Cinema Project. As an artist and media-maker Mark has been exploring conscious art and media since childhood, attempting to use these creative mediums to help himself transcend his own communication challenges of being a severe childhood stutterer and find his "voice" and use that voice to help raise the consciousness of himself, others and the world. He is considered by many to be one of the pioneers in the conscious and transpersonal media movements and is the world's leading researcher and theorist in the application of Integral Theory to the cinematic arts. For more on Mark visit his website www.markallankaplan.com, and for my on the Integral Cinema Project visit www.integralcinema.com.

Details:

  • Date: Sunday February 24, 2019
  • Time: 12pm to 1:15pm PST
  • Cost: Free (requires free membership to the network)
  • Host: Conscious Good Creators Network

About Conscious Good Creators Network

Conscious Good Creators Network is a community-driven media platform for visual storytellers dedicated to raising consciousness. Conscious Good launched the Creators’ Network as a place where conscious creators and audiences can connect. It’s a place to interact with fellow conscious media tribe members, share resources, ideas and support one another.


SIGN UP FOR THE NETWORK AND THE COURSE




2018 Integral Movie and TV List Update


2018 was another challenging year for many of us and sometimes taking a break from all the challenges in these times is needed; sometimes we need an escape or release from the stresses and sometimes we need some distance on our lives and the world to see things from a different perspective. Great integral movies and television or streaming series can often do both at the same time. In addition, integral cinematic works can exercise our perspective-taking capacities, something that can only help us in dealing with these challenging times...plus we get to have popcorn while we are doing our integral cinematic workout...

So here are this last year's additions to the IMDb Integral Movie and TV List of cinematic works that tested positive for elements of the Integral structure of consciousness by the Integral Cinema Project. Some of these are new works released in 2018 and some are older works that have been rediscovered as integral gems from the past. For the complete list of Integral movies and series check out the full list at: http://www.imdb.com/list/ls074613980/


IMDb INTEGRAL MOVIE AND TV LIST UPDATES 2018


Spider-man: Into the Spider-verse (2018; Currently in Theaters) - This animated addition to the Spider-man movie series is an Integral game-changer, a truly extraordinary film that transcends and includes the evolution of comics, anime and superhero films, and so many other domains, worlds, dimensions, perspectives and realities and integrates them into a wondrous, fun, classic yet avant-garde, holistic, holonic, gestalt...integral masterpiece.

Black Panther (2018; Now On Demand and Disk) - Black Panther is a brilliant integral cinematic work that mirrors multiple stages of development in all aspects and levels of its narrative, visual, auditory and editorial expressions. It also shows both healthy and pathological manifestations of each stage and represents subtle ways that one can transcend the pathologies and evolve to higher stages of development. At the same time, this film tackles major psychological, cultural and social issues from primal psychological wounding to complex issues of race, class, oppression and isolationism in subtle and deep ways. And all of this is elegantly hidden beneath the surface of a wonderful and traditional superhero genre piece. Watch our Black Panther TEHNC Podcast series on this important integral work.

Wrinkle in Time (2018; Now On Demand and Disk) - Wrinkle in Time is a beautiful, rich and groundbreaking integrally-informed cinematic work that uses an advanced form of feminine-communion storytelling in its use of communion-centered editorial, camerawork and production design and its nonlinear spiraling evolutionary arc of both its characters and its story. In this multilayered work the shots and cuts are focused less on the action and more on deep and layered emotions, inner promptings and catharses, as the characters and story streams move the characters and us the viewer through various stages of development that evolve through a series of cycles back in and through each stage several times, peeling away different forms and levels of challenges in those stages that ultimately lead to deep yet subtle evolutionary growth. Regrettably this great work falters at the end with a small yet fatal flaw in the story and character lines of development at a peak transition moment. Still a great work worth seeing.

Black Mirror: Bandersnatch (2018; Netflix) - This feature length episode of the groundbreaking integral series from Netflix breaks even more new ground by integrating the interactivity between multiple storyworld streams and the viewer/player experience as we are given choices in how the story unfolds in real time. The integration of story, character and viewer experience even includes the main character starting to act like they can feel us the viewer manipulating their life. The multi-layered complex interconnections between the on-screen storyworld and the viewer/player reality produces a potentially profound experience of deep integral aperspectival awareness in us as we watch and play along. This integration leads us and the main character into intellectually, emotionally and existentially questioning essential aspects of free will, choice and the nature of reality, and potentially shifting us into the integral-Kosmocentric witness state in search of the "big picture" of existence.

Altered Carbon (2018; Netflix) - This Netflix original series explores the question of what part does death play in the evolution of consciousness, culture and society by transporting us to a sci-fi world where death has been eliminated by using technology to digitize consciousness and transfer to other bodies (sleeves). In the first season we see how the absence of death messes with the spiral of development in ways that causes us to potentially loose our humanity while increasing class divides and losing the gravity that draws us toward healthy growth and development and the evolutionary impulse itself.

Ugly Delicious (2018; Netflix) - Celebrity Chef David Chang's cooking travelogue series that explores the evolution of food, its co-evolution with culture and society and its relationship with different structures of consciousness. Special thanks to Jeff Salzman for finding this work...and check out his Daily Evolver podcast review of it - The Integral Practice of Pizza.

Childhood's End (2015; Syfy) - A flawed Syfy cable mini-series adaptation of Arthur C. Clarke's classic integral evolutionary science fiction novel that struggles to find its footing while still imparting the essential evolutionary trajectory of the original work. Even though it lacks the heart and spirit of the original story, one cannot help but feel the power of Clarke's universe and the tale of how the human race will ultimately transcend its limits (with a little help from some other worldly friends) and evolve into a Kosmo-centric species. There is also some of the wonderful archetypal power of the original's transcendent use of the demon/devil archetype.

Selma
(2014; On Demand and Disk) - Selma is a multi-dimensional and multi-perspectival cinematic exploration of an event in the life of the Reverend Martin Luther King, Jr. that reveals the various individual and collective forces that moved all sides of this profound political moment in American history. During this exploration, Dr. King is revealed to be both a flawed human being on the personal relationship level and a masterful integral thinker with the capacity to see a greater depth and span in the events around him than those around him could see. 

Andromeda
(2000-2005; Syfy) - A brilliant, integrally-informed science fiction universe and series based on some unused material by Star Trek creator Gene Roddenberry. This wonderful little series has a progressively unfolding Kosmocentric center-of-gravity at the center of a hybrid mythic, rational and pluralistic storyworld that includes a wondrously simple yet complex exploration of the involution and evolution of consciousness, and an expanded perceptual field of sentient life and all its potential variations of beingness and becoming. Special thanks to Mark Le Sueur for bringing this work to our attention.

Star Trek Universe (1966-Present; Various) - Starting with the original Star Trek television series in 1966, through many itinerations up to the current Star Trek: Discovery streaming series, the Star Trek universe has given us a cinematic example of what an Integral moral universe would look like. With its evolutionary-aware Prime Directive and its trans-species post-Capitalist worldview, the Star Trek franchise has been planting integral consciousness seeds for over 50 years. While the episodes of the original series and the many spin-off series and the various theatrical itineration's vary in terms of just how integral they are in form and content, the center of gravity of the Star Trek universe is decidedly integral and evolutionary in heart and spirit, with the most recent works starting with the Star Trek (2009) theatrical reboot up to the current Star Trek: Discovery streaming series becoming much more integral across all expressive domains. Special thanks to Corey W. DeVos and Cindy Wigglesworth for their major contribution to an integral understanding of this profoundly influential cinematic franchise; be sure to check out their work on the Star Trek universe at IntegralLife.com.

Andrei Tarkovsky's Collected Works (1962-1986; Russia; On Demand and on Disk) - One of this year’s major research breakthroughs was the completion of our testing of the major cinematic works of Russian filmmaker and theorist Andrei Tarkovsky. What we discovered was that Tarkovsky's unique cinematic style, which he calls "sculpting in time," pervades all of his major works and is a masterful integrally-informed capturing of experiential reality. With long simple yet complex poetically choreographed shots that allow for a multi-layed unfolding of each successive cinematic moment, along with subtle shifts between narrative, visual, auditory, and temporal dimensions of individual and collective interior and exterior realities, Tarkovsky miraculously appears to be capturing and expressing a lived experiential reality in a profoundly visceral way. In addition, he seems to have a masterful capacity to capture and orchestrate gross, subtle and causal cinematic energies to create potential transcendental experiences and deep witnessing states in the viewer. With the addition of Tarkovsky's films into the integral cinema historical/evolutionary timeline we can see the deep impact his work has had on the evolution of integral cinema in particular and world cinema in general. The works included in this analysis are: Ivan's Childhood (1962); Andrei Rublev (1966); Solaris (1972); The Mirror (1975); Stalker (1979); Nostalghia (1983); and The Sacrifice (1986). Special thanks to Eugene Pustoshkin for bringing Tarkovsky to our attention and for sharing his deep knowledge of this integral cinema master and his work. For more on the Energetic Lens see Integral Cinema Studio (Kaplan, 2012)

La Jetée (1962; France; On Demand and Disk) - An avant-garde short using all still images to explore the nature of time, memory, dreams, human nature, the impermanence of the world of form and the evolution of self, culture and world, and in the end touches on the Kosmocentric witness at the edge of life and death.

Wild Strawberries (1957; Sweden; On Demand and Disk) - Ingmar Bergman's deeply reflective film explores the evolution of one man's life through memories, dreams, interactions and self-reflections. Through this process Bergman shows us how generational patterns imprison us and cause evolutionary regression, and how becoming a witness to these greater evolutionary and de-evolutionary patterns can awaken us and help us evolve further.

The Razor's Edge (1946; On Demand and Disk) - Adaptation of W. Somerset Maugham's classic tale of a young man in search of the meaning of existence and his evolutionary journey toward a higher and deeper level of being and becoming.

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As you can see this has been a groundbreaking year for integral cinema with several works going beyond what has been done before in terms of integral cinematic expression and storytelling. In addition, the discovery of several important integral works from the past has given us a much clearer sense of the evolution of the embedding of the integral structure of consciousness in the moving image medium. In a strange way it seems that as our everyday reality is facing profound evolutionary challenges we are given a banner year of moving image works that help us expand and deepen our evolutionary awareness. Perhaps the collective evolutionary impulse is sending us a message...




Structures of Cinematic Consciousness




My new Integral Cinema Project white paper on Structures of Cinematic Consciousness is now available for online viewing and download.

This paper includes a preliminary mapping of how stages of human development and the structures of consciousness that make up each stage are embedded in moving image-based artifacts such as movies, television, online and mobile video, video games, virtual reality, augmented reality and mixed reality mediums. These mappings are based on a meta-analysis of hundreds of moving image artifacts cross-referenced with research on stages of human development, structures of individual and collective human consciousness, human perception, creative expression, and cultural and social anthropology.

This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composites of structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images.

Available at: https://www.academia.edu/37998059/Structures_of_Cinematic_Consciousness


"Integral Goes to the Movies" Slideshow



The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"

 

Black Panther Marks a Major Integral Cinema Milestone


Marvel's Black Panther is taking the world by storm, raking in over a billion dollars worldwide in its first five weeks of theatrical release, garnering rave reviews from critics and fans, challenging racial and diversity biases and boundaries in Hollywood film culture and beyond, spawning numerous testimonials about the films positive impact on individual viewers and minority communities, and eliciting glowing commentaries on how the film is a milestone in these and other various domains. After analyzing Black Panther and its impact on the individual and the collective, it appears that this wonderful superhero film is a major Integral Cinema milestone as well. 

Black Panther's Integrally-informed cinematic structuring beautifully and subtly mirrors multiple stages of development in all aspects and levels of its narrative, visual, auditory and temporal/editorial expressions. It also shows both healthy and pathological manifestations of each developmental stage and represents subtle ways that one can transcend the pathologies and evolve to higher stages of development. At the same time, the film tackles major psychological, cultural and social issues, from primal psychological wounding to complex issues of race, gender, class, oppression and isolationism, in subtle and deep ways. Most extraordinarily, all of this is elegantly hidden beneath the surface of a wonderful, fun and seemingly-traditional superhero genre piece.

In terms of Black Panther being a milestone in the history of Integral Cinema and the cinema itself, it appears to be groundbreaking in its advanced capacity to integrate and synchronize all dimensions of cinematic expression (Text, Image, Sound and Time) through all levels of storytelling (Textual, Subtextual, Metatextual and Transtextual). While this form of synchronization is at the heart of the cinematic expression tradition, dating back to Sergei Eisenstein in the 1920s and used by many filmmakers since, Integral filmmakers like Ryan Coogler appear to be creating an advanced form that also integrates the different structures of consciousness, culture and society (Archaic, Magic, Mythic, Rational, Pluralistic, Integral). Mr. Coogler's use of this type of cinematic expression in Black Panther is unparalleled in its depth and breadth and the sublime way it hides and integrates its complexity beneath its deceptively simple surface. This approach has the potential to induce subtle yet deeply immersive and transformative experiences in the viewer, transformation that could potentially extend to culture and society as well. This potential is hinted at by the cultural impact the film is already displaying.

From an Integral Cinema perspective, our research suggests that major advances in cinematic expression like those represented by Black Panther affect other creators and their cinematic works. These advances in expression create a major shift in cinematic consciousness, which is the collective way moving images in a given era communicate with the viewer. In turn, these types of advances in cinematic consciousness tend to entrain the audience to perceive in deeper and more expansive ways. In this way the moving image, consciousness, culture and society can be seen to co-evolve.

For more on all of this check out the new Integral Cinema TEHNC podcast series on Black Panther...


3 Keys to Unlock Black Panther (Short introduction to full-length analysis) - This special preview episode introduces you to 3 important keys you can use to unlock the hidden genius of Marvel's blockbuster Black Panther. This 5-minute summation by Integral Cinema Project research associate Jonathan Steigman is a sort of Cliff Notes version to whet your appetite for the full-length examination of the keys and how they manifest in the film with Mark Allan Kaplan, ICP lead researcher and the leading scholar of Integral Cinema.


The Hidden Genius of Black Panther (Full-length analysis) - Mark Allan Kaplan of Integral Cinema Project joins ICP research associate Jonathan Steigman to discuss 3 major keys that can help viewers discover the hidden genius behind the recent Marvel worldwide smash hit, Black Panther. Mark and Jonathan believe the film holds the potential to transform consciousness the world over and they unpack some of its secrets and point to why the film could transform cinematic consciousness as well. Filmmakers and others, take note!

Be sure to also check out Jonathan's short preliminary podcast on The Subversive Brilliance of Black Panther and Mark and Jonathan's short bonus podcast exploring The Previous Films of Black Panther Director Ryan Coogler.