August-September 2019 Conscious Movie-of-the-Month

This month’s Conscious Movie-of-the-Month is The Great Hack (2019).

During the months of August and September you are invited to watch the newly-released Netflix documentary The Great Hack on your own. This documentary covers the Cambridge Analytica scandal and the role of Facebook in facilitating the mass data gathering that may have contributed to the passage of Brexit and the election of Donald Trump. If you have already seen it, we recommend watching it again with the intent of seeing any patterns of consciousness you had not seen before, including the patterns mentioned below. If you do not have a Netflix account or access to one you can get a one-month free trial at Netflix.com. You are also invited to share your thoughts, reflections and musings about the movie in our group's online discussion forum.

During the month we will also be having a Netflix Watch Party, where we can watch the film together and have a running chat discussion in real-time. At the end of the month, we will have a video conference call where we will explore the movie from a conscious, integral and transpersonal perspective, and you will have the opportunity to share more of your personal reflections and ask any questions. Details on both will be forthcoming.

There are many reasons why we have chosen The Great Hack for this month’s selection. It was recommended by one of our group members, plus we received several other synchronistic indicators bringing this work to our attention. Furthermore, its timeliness in relation to what is happening in the media world right now speaks to the challenge of this moment in human history and gives us a taste of a film attempting to tap into the current zeitgeist.

Together we will explore how this documentary explores the relationship between our consciousness and our evolving media technologies. The Great Hack sounds an alarm that should be heard by all us conscious media makers and consumers. A war is being waged for control of our individual and collective consciousness, with our media, especially social media, being weaponized against us and used to tear our society apart.

Join us this month as we explore the nature of the new propaganda war on our consciousness and what we can do about it as conscious media consumers and media makers. This important conversation in our community will continue beyond this month’s exploration as we roll out courses to help train ourselves to answer the calling of this moment by using media to raise consciousness. Together, we can help win the battle for the hearts and minds of humanity.

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If you have not already joined our free Conscious Movie-of-the-Month Group/Club, you can still join us anytime by signing up for a free membership at the Conscious Good Creators Network.

Conscious Good Creators Network presents the Conscious Movie-of-the-Month Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

"Avatar" and the Co-Evolution of Consciousness, Culture and Society

As we explore the movie Avatar (2009) as our conscious movie-of-the-month, we have the opportunity to use it to more viscerally learn about the different stages of human adult development and how the structures of consciousness of each stage co-evolve with human cultures and societies. We have this opportunity because Avatar masterfully gives us clean and clear examples of each stage and structure through the consciousness of the characters and the cultures and social structures that relate to each stage.

Avatar imagery representing Tribal or Magical consciousness, culture and society

First we have the Tribal or Magical structure of consciousness and stage of development. This is represented by the tribal characters, the cultural worldview represented in them and between them, and the very structures of their society in the film. This stage includes a magical sense of wonder and beauty and a deep connection to nature and to the tribe.

Avatar imagery representing Traditional or Mythic consciousness, culture and society

The next stage of development is the Traditional or Mythic structure of consciousness. This is represented in the human military characters, their cultural worldview, and the social structures and conventions of their world. This stage includes a black or white, right or wrong way of perceiving, being and doing in the world, a tendency toward authoritarianism, and the strict adherence to rules and regulations and a prescribed order.

Avatar character representing Modern or Rational consciousness, culture and society

The next stage of development is the Modern or Rational structure of consciousness. This stage/structure is represented by the business, corporate and politically-oriented characters, most notably the Parker Selfridge business leader character played by Giovanni Ribisi, and the cultural and social patterns of their reality. This stage is marked by an adherence to logic and reason, empirical knowledge, the discounting of anything that is not objectively verifiable, and an almost religious attachment to financial gain as the ultimate goal of human life and interaction.

Avatar character representing Postmodern or Pluralistic consciousness, culture and society

The next stage is the Postmodern or Pluralistic stage of development and structure of consciousness, represented most clearly by the Dr. Grace Augustine social scientist character played by Sigourney Weaver, and the cultural and social constructs surrounding her character. This stage includes a deep recognition and valuing of subjective experience along with an over-arching cross-cultural perspective and an empathy for the suffering of others.

Avatar imagery representing Meta-modern or Integral consciousness, culture and society

And finally the Integral stage and structure is hinted at in the final moments of the film when the main character leaves his human body that is dying and goes fully into his avatar body via a transference of his consciousness by and through the world tree. All we see are his eyes opening in that scene, but we get a sense that he has been to "the other side" and has seen the big-picture of the universe. This big-picture awareness is one of the hallmarks of the Integral structure of consciousness, along with the awareness of all the previous stages and their inherent value and limitations, and how the stages and structures evolve. The Integral structure seeks to see and understand as much as possible from as many perspectives as possible and then integrating it all into a big-picture understanding.

Individuals, cultures and societies tend to co-evolve through these stages and structures. Individuals at the leading edge create and innovate from the new emerging stage and structure, and in turn their creations resonate with the stage and structure they were created from, which then stimulates others in the culture and society to evolve to meet the new stage/structure patterning embedded in these creations. In Avatar while we do not see the various cultures and social structures co-evolving with consciousness, the main character evolves through all of them, which gives us a sense of the arc of development at the heart of this whole co-evolutionary process.


Our research suggests that this type of integration of multiple stages and structures in a cinematic work contributes to the potential success of the film, by giving the film a greater capacity to reach a wider population across the stages of development. This hypothesis is based on the results of an meta-analysis of the most successful films of all times revealing an unusually high percentage of these films having this quality.

Healers in the Hood: Reflections on the Passing of John Singleton, "Selma" and the New Consciousness in African American Cinema

John Singleton at the Premiere of “Selma” (2014)

As part of the Conscious Movie-of-the-Month Club hosted by Conscious Good Creators Network, we are viewing the film Selma (2014) as our monthly selection. I was struck by the news of African American filmmaker John Singleton (1968–2019) passing away just a few days before we started. I noticed some synchronicities or resonances between our choice of film and the life, work and passing of Singleton. Selma is the work of African American filmmaker Ava DuVernay who is part of a whole new movement and consciousness within African American cinema that most likely would not exist without Singleton’s groundbreaking work.

Selma filmmaker Ava DuVernay pays tribute to John Singleton Twitter (2019) 

 
The history of African American cinema has been profoundly affected by the history of African Americans and their struggle against great individual, cultural, social and systemic injustices and challenges. The evolutionary journey of African American media artists and their works is like a creative mirror on our collective journey as a country. Because of this great injustice gap, the evolution of African American cinema is the story of many creative, cultural and social groundbreakers fighting against a system that was and still is in many ways rigged against people of color.

Every generation has had courageous individuals who sought to break some of these barriers and open the doors to those generations to come. John Singleton was one of the brave creative souls who raised and deepened the cinematic consciousness of African American cinema by unpacking the overt and covert effects of living within the shadows of racism. His breakout film Boyz n the Hood (1991), made when he was just 23, depicted the everyday lives and realities of African Americans, going deeply personal to tap into the universal.

Since his passing many African American film scholars, critics, historians and commentators have written about Singleton’s various contributions to African American cinema and American cinema in general, including: What Hollywood Owes to John Singleton, his Influence on African American Cinema, and how he Changed Black Culture on Film Forever.

My colleague Jonathan Steigman and I created a video podcast series called New Black Cinema for White People in which we take a deep dive into the new generation of masterful young filmmakers standing on the shoulders of John Singleton and other trailblazing African American media artists. One of the groundbreaking elements of the works by this new generation is their use of both subtle and extremely overt complex communication to pierce the veil of structural white supremacy. From broad satire to quiet drama, from big budget pop culture films to low budget independent works, these filmmakers are working at the top of their game and creating cinematic works designed to raise the consciousness of American culture and society to the hidden dimensions of racism and structural white supremacy. By exploring the personal and collective costs of the hidden dimensions of racism, these creators seek a way to transcend and heal them with love and compassion for all sides.

Ava DuVernay is one of this movement’s leaders, helping and mentoring others the way Singleton did. DuVernay and this group of the new wave in African American cinema are operating at an integral or near-integral structure of consciousness, integrating all the gifts from the previous generations of activists and artists. One of these gifts is the integration of Singleton’s collective through the personal stories approach with a higher, deeper and more expansive “big picture” perspective producing more complex and multi-layered storytelling.

In Selma, DuVernay unpacks the personal, interpersonal, cultural and social dimensions of Martin Luther King’s racial and social justice consciousness raising effort during the Selma-to-Montgomery voting rights marches in 1965. So we have a film about the consciousness raising efforts of Dr. King and others on the individual and collective front lines, made by a filmmaker who herself seeks to raise consciousness even further around these issues through her works. In this, DuVernay and her cohort in this new generation are standing on the shoulders of those who came before them, including Singleton, and pushing the dialogue ever forward.

And so, this month, we take this moment to mourn and honor the passing of one of these groundbreakers as we explore one of the cinematic works that has sprung from the creative garden he helped seed.

References

• What Hollywood Owes to John Singleton https://www.vanityfair.com/hollywood/2019/04/john-singleton-appreciation-boyz-n-the-hood
• John Singleton’s Influence on African American Cinema https://www.tvovermind.com/john-singletons-influence-on-african-american-cinema/
• John Singleton Changed Black Culture on Film Forever https://www.laweekly.com/arts/john-singleton-changed-black-culture-on-film-forever-10150468
• New Black Cinema for White People (Podcast Series) https://vimeo.com/album/5379791

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*Special thanks to Jonathan Steigman for his editorial assistance in creating this article and for his contributions to the research into this new movement in African American Cinema.

"The Matrix" and the Evolution of Consciousness

Or, taking the Red Pill and waking up to the coming of Winter: Reflections on meta-perspectival storytelling, The Matrix, Game of Thrones and our current global situation

According to my research into the potential co-evolution of the moving image, consciousness, culture and society, The Matrix (1999) helped to introduce a higher form of cinematic consciousness* into mainstream pop culture. The foundation of this higher form of cinematic consciousness could be called meta-perspectival storytelling.

Meta-perspectival storytelling refers to stories that unfold through both major and minor shifts in perspective that often reveal whole new ways of understanding and experiencing the storyworld unfolding before us. Think of the red-blue pill moment in The Matrix, or the self-as-ghost revelation at the end of The Sixth Sense (1999), the shifting realities of a television series like Lost (2004) or the progressive, reality-shaking awakening of characters to the true coming threat of winter in Game of Thrones (2011). All of these works use meta-perspectival storytelling to drive their stories and characters to greater levels of understanding and capacities.

This form of storytelling has been around for a while in various forms but not until the release of both The Matrix and The Sixth Sense in 1999, did this form penetrate the pop culture cinematic language in a big way. Since then, more and more cinematic works have been using this form of storytelling, creating deeper and more expansive works with layers and layers of perceptual realities that hide and reveal themselves over time, guiding us and the characters to greater levels of understanding and revelation. Meta-perspectival storytelling is born out of a specific stage of development and structure of consciousness, often referred to as Integral Consciousness. The key to this structure of consciousness is the drive to understand all dimensions and perspectives of our reality and integrate them into a meaningful whole, a "big picture" meta-perspective.

I find it beautifully symbolic that this month is the 20th anniversary of The Matrix (1999-2019), the film that helped birth this expansion of cinematic consciousness, and the start of the final season of Game of Thrones (2011-2019), the series that helped to evolve this form of storytelling to new levels of richness, depth and complexity for a global scale audience that more easily and deeply understands, embodies and enjoys this form of consciousness and storytelling.

I also find it rather haunting and inspiring to look at how this evolution of storytelling and viewer consciousness coincides with the ever deepening and expanding deconstruction of so many of our individual and collective mental, emotional and perspectival constructs within and around us. This deconstruction has culminated in the whirlwind of reality bubbles, fake news, propaganda networks and "alternate truth" in which we currently find ourselves. I have to wonder if all these meta-perspectival stories feeding our imaginations these last twenty years are an expression of our collective consciousness preparing us to make some big perspectival transition, helping more and more of us to wake up to the coming of our own global climate change and political, cultural and social regression winter, and to individually and collectively search for the red pill that will wake us all up in time.



*NOTE: Cinematic consciousness as I define it comes from my research into the relationship between the moving image, consciousness, culture and society. This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composite structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images. And this cinematic consciousness in turn affects viewer consciousness.

Announcing the Conscious Movie-of-the-Month Club

A Monthly Exploration of Consciousness and the Movies

Conscious Good Creators Network presents the Conscious Movie-of-the-onth Club with Integral Cinema Project Founder and Executive Director Mark Allan Kaplan, Ph.D., for anyone who wants to use media to raise individual and collective consciousness.

About the Club 

Join fellow conscious media creators and media enthusiasts each month for an in-depth look at conscious cinema with host and facilitator Mark Allan Kaplan, Ph.D. Together we will explore how consciousness is expressed in and through the movies, and how we can use movies to help us evolve our consciousness.

As a member of the club you will have access to the club’s online forum and the entire Conscious Good Creators Network. At the beginning of each month we will announce the movie of the month for us all to watch on our own and then explore together in the online discussion forum. On the last Thursday of the month we will have a video conference call where Mark will share his reflections on the movie from a conscious, integral and transpersonal perspective. Participants will also have the opportunity to share personal reflections, questions and musings.

As a member of the club you will also be invited to experiment with some of the conscious media viewing practices Mark has developed over the years. These can help you to deepen and expand the viewing experience and help you develop your own transformative media viewing practice if you so desire.

About the Host/Facilitator 

Mark Allan Kaplan, Ph.D. is an award-winning filmmaker, transdisciplinary artist, media psychologist and researcher, and the founder and executive director of the Integral Cinema Project. As an artist and media-maker Mark has been exploring conscious art and media since childhood, attempting to use these creative mediums to help himself transcend his own communication challenges of being a severe childhood stutterer. He uses his conscious art practices to find his "voice" and use that voice to help raise the consciousness of himself, others and the world. He is considered by many to be one of the pioneers in the conscious and transpersonal media movements and is the world's leading researcher and theorist in the application of Integral Theory to the cinematic arts.

For more on Mark visit: www.markallankaplan.com, and to learn about the Integral Cinema Project visit: www.integralcinema.com.

Details

• Dates/Times: 
• Movie of the month announcement, first of the month, starting April 1, 2019 
• Online discussions, ongoing 
• Video conference calls, 7pm PST, last Thursday of the month, starting April 25, 2019 
• Cost: Free (requires free membership to the network) 
• Host: Conscious Good Creators Network 

About Conscious Good Creators Network 

Conscious Good Creators Network is a community-driven media platform for visual storytellers dedicated to raising consciousness. Conscious Good launched the Creators’ Network as a place where conscious creators and audiences can connect. It’s a place to interact with fellow conscious media tribe members, share resources, ideas and support one another.

SIGN UP FOR THE NETWORK AND THE CLUB

ONE FACE: A Collection of Interfaith Prayers and Poems

My collection of interfaith prayers and poems for personal and communal interfaith and integral spirituality practice is now available online for viewing and for download. Available at: http://bit.ly/2RaVD7W.

One Face by MAK (Mark Allan Kaplan)

Every faith

has a different view

of the same Divine Reality;

Every heart

has a different way

of feeling

the One Love;

Every mind

has a different way

of understanding

the One Truth;

And every face

is a different form

of the

ONE

Divine Face.

Structures of Cinematic Consciousness

My new Integral Cinema Project white paper on Structures of Cinematic Consciousness is now available for online viewing and download.

This paper includes a preliminary mapping of how stages of human development and the structures of consciousness that make up each stage are embedded in moving image-based artifacts such as movies, television, online and mobile video, video games, virtual reality, augmented reality and mixed reality mediums. These mappings are based on a meta-analysis of hundreds of moving image artifacts cross-referenced with research on stages of human development, structures of individual and collective human consciousness, human perception, creative expression, and cultural and social anthropology.

This research suggests that human beings project their structures of consciousness into their creative works. This in turn appears to create similar composites of structures of consciousness embedded in these works. In a sense these embedded consciousness structures create a kind of cinematic consciousness that lives within the constructed cinematic reality of these moving images.

Available at: https://www.academia.edu/37998059/Structures_of_Cinematic_Consciousness

"Integral Goes to the Movies" Slideshow

The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"

 

Integral Goes to the Movies from Mark Allan Kaplan

Research Report: Integral Cinema Project 2017 Year in Review

Due to the profound shifts in the American zeitgeist, this past year has been deeply soul-searching for many individuals and collectives, and that includes myself and my work through the Integral Cinema Project. I have been asking the question, how can I and the Integral Cinema Project respond to this new landscape and be of service to the evolutionary moment in which we find ourselves? Life as usual just isn’t working any more. I feel a deep impetus to rise to the calling of this moment and seek the what-when-and-how of that calling. While I still do not have all the answers I am called to finally communicate with you and update you on the state of the Integral Cinema journey…

With the ongoing support of many of you, I have been working on several projects this past year, each exploring in some way how to respond to the calling of this new zeitgeist. These include:

Media Literacy for the Post-Truth Age

An Integral Cinema Project presentation to the Carey Institute for Global Good outlining an integrally-informed approach to media literacy designed to help people discern what is the truth in this age of fake news, reality bubbles and invisible propaganda networks. 

Art-in-Motion Video Series

A collection of moving image meditations that attempt to use advanced audiovisual and cinematic entrainment technologies along with animated abstract art to explore the human perceptual field, potentially inducing shifts in our awareness of our own perceptual field and bringing the normally unconscious perceptual construct-forming system of the human mind to conscious awareness.

45 Day Integral Art and Media Experiment

My 45 day lived-inquiry experiment of doing a video journal recording and creating a work of art  (still and/or moving image) every day, along with video journal notes on my integral cinema research and soul searching process. The 45 day time-frame is purported to be the time it takes for the human brain to lay down new neural pathways to make a behavior feel natural and easy. Given my history as stutterer, I chose video journaling to see if I could transcend my awkward feelings around speaking in front of the camera. I chose daily art creation to see if I could transcend the constructs that prevent me from fully owning my creative soul.

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I have also been busy on the integral cinema research front:

• Exploring an integral approach to more deeply understanding the language of the moving image;

• Developing an integral transformative approach to cinematic and experiential design to help creators storify and gamify the spiral of human development;

• Experimenting with new inception and creation practices designed to help creators tap into the evolutionary impulse and generate new story ideas that will speak to the calling of the evolutionary moment;

• Working on a new integral cinematic lens (The Evolutionary Lens) based on the work of Sri Aurobindo and others, and;

• Continuing to write my book on integral cinema (stay tuned...).

At the same time, I have continued my research into the co-evolution of the moving image, consciousness, culture and society, and testing cinematic works for signs of the integral structure of consciousness. For those interested I have posted the 2017 new integral movie and television discoveries on the IMDb Integral Movie and TV List.

On the publication front, I wrote a short piece on What Sam Sheppard Taught me about Storytelling and Life to mark his passing.

On the education front, I am redesigning the meta-movieology courses on using the moving image for the evolution of consciousness, and developing them into asynchronous online courses for general release.

On the enactment front, I am currently in production on an integrally-informed avant-garde video meditation on the wind, and am in development on a low-budget feature film and a television series, videogame and VR/AR/MR transmedia project designed to storify and gamify the individual and collective evolutionary spiral. These projects are all enactment experiments designed to utilize and test the new integral-evolutionary inception and design approaches I am been researching and developing.

And amidst all this I was honored that the Integral Cinema Project was named one of the TransTech 200 Innovators for advancing the work of using technologies for individual and collective transformation.

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I believe every problem we have is a problem of consciousness, and that media is one of the most powerful tools humanity has created to affect consciousness on a deep and expansive level. As we have seen more clearly this past year, media has the capacity to shape the hearts and minds of millions of people, for good and for bad. We live in times of ever-present and hyperreal media, fake news and vast propaganda networks. We must find more ways to mitigate and transcend the use of media to manipulate and limit our capacities, and to use media for higher and nobler purposes. I am committed to continuing to work towards these goals and deeply appreciate all the support I have received.

With deep gratitude,

Mark Allan Kaplan, Ph.D.
Integral Cinema Project
Founder and Executive Director

Media Literacy for a Post-Truth Age

Announcing the release of "Media Literacy for a Post-Truth Age," an Integral Cinema Project presentation to the Carey Institute for Global Good outlining an integrally-informed approach to media literacy designed to help people discern what is the truth in this age of fake news, reality bubbles and invisible propaganda networks.

This approach has been developed from an integration of the some of the most recent understandings and advances in the fields of communication theory, propaganda theory and practice, media psychology, human perception research, and Integral, complexity and systems theories. Topics covered include identifying truth frames, discerning types of truth, sorting truth by spotting propaganda framing techniques, and a set of practices for good media literacy hygiene in the post-truth age.

Media Literacy for a Post-Truth Age: An Integrally-Informed Approach to Media Literacy for Media Consumers and Makers from Integral Cinema Project

Latest Updates to the Integral Movie and TV List now on IMDb

The Integral Movie and TV List has been updated and is available on Internet Movie Database (IMDb) at: http://www.imdb.com/list/ls074613980/.

On the list you will find all the movies and television series that have tested positive for having integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.

According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.

Recent updates to the list include the following titles:

Movies New to the List:

Citizen Kane (1941) - This cinematic masterpiece has hints of the emergence of integral cinematic style and structure into a more main stream form as it traces the evolution of an individual life and explores how our primal wound can both propel us up the ladder of human development while also undermining and regressing us at the same time. While the film's main character falls far short of the higher stages of development, the filmmaker, Orson Welles, potentially elevates us the audience into a higher level of perception as we are cinematically raised up into the integral dimensions of a deeply integrating and witnessing consciousness.

It's Such a Beautiful Day (2012) - Beautiful animated trilogy of shorts that explores the journey of an individual life that dances across the thin line between life and death, time and timelessness, and form and the formless. The film is both raw and elegant and wondrously captures the main character's evolutionary dance from egocentric (self-absorbed) to Kosmocentric (unitive) levels of existence.

The Giver (2014) - A heart-felt integrally-informed psycho-social science fiction film that dramatically explores a post-catastrophe society that has tried to engineer a better world by suppressing the human shadow and de-evolutionary forces from the developmental arc. This suppression ends up also  burying many positive and higher emotions and the heart of the evolutionary impulse itself, and an old man who holds the memories of what the world lost gives a young man those memories in hopes of helping him evolve into the catalyst for the re-awakening of the heart and soul of the world.

Share (2014) - "Share" is a subtle and elegant integrally-informed dramatic short film exploring the impact of transcending the boundaries between subjective and intersubjective domains across multiple dimensions of being and becoming. The film's creator is a long time student of Integral Theory and one of the early integral practitioner's who have been attempting to apply Ken Wilber's Integral theories to media.

The Cobbler (2015) A deeply flawed but cute mystical comedy with an integrally-informed undercurrent of the main characters evolution from egocentric to Kosmocentric circles of care and concern.

TV Series New to the List:

Avatar: The Last Airbender (2005-2008) Wonderful and deep yet light-hearted integrally-informed animated TV series that explores the evolving and spiraling dance between the separation and the union of the multiple dimensions of our being and becoming.

The Legend of Korra (2012-2014) - Another integrally-informed animated TV series from the creators of Avatar: The Last Airbender, set in the Avatar universe many years later with a new, this time female, Avatar, expanding and deepening their exploration of the evolving and spiraling dance between the separation and the union of the multiple dimensions of our being and becoming.

VISIT THE IMDb INTEGRAL MOVIE AND TV LIST

More movies and TV series are added to the list as more are tested so check back periodically to keep abreast of the research.

For more on the application of Integral Theory to the cinematic arts visit the Integral Cinema Project at: www.integralcinema.com.

The Experience of Divine Guidance Research Presentation

The Experience of Divine Guidance from Mark Allan Kaplan

The Experience of Divine Guidance Research Presentation is a presentation given at the Institute of Transpersonal Psychology in June of 2005 presenting the research findings of the doctoral dissertation "The Experience of Divine Guidance: A Qualitative Study of the Human Endeavor to Seek, Receive, and Follow Guidance from a Perceived Divine Source" - Mark Allan Kaplan, Ph.D., Dissertation Abstracts International, 2005, 66 (05), 2855. (UMI No. 3174544).

ABSTRACT: This research study examined the experience of seeking, receiving, and following guidance from a perceived source of divine wisdom. Nine advanced spiritual teachers (5 men and 4 women) from 7 spiritual traditions participated as coresearchers in this study. Coresearchers were North American or European born, predominantly Caucasian, California (USA) residents between the ages of 52 and 74. Coresearcher participation consisted of individual semistructured in-depth interviews. The questions and topics of discussion used for the interviews were developed through a process of researcher heuristic and spiritual self-inquiry. The results of a grounded-theory-based qualitative content analysis of the interview transcripts suggested that the experience of divine guidance, as measured in the current study, is characterized by a common structuring of the experience that includes general categories, factors, and patterns which appear to manifest into various particular and contextual forms depending on the individual person, event, and circumstance. The reported common structures of the experience included: The perception of a divine source of guidance; the experience of seeking, receiving, and following guidance from this perceived source; and various contributing, impeding, developmental, and mediating factors. Additionally, each coresearcher reported a unique metaphor of divine encounter that appeared to give them an archetypal and visceral way of describing and holding the experience. The researcher appeared to experience each of the coresearcher’s metaphors of divine encounter through some kind of resonant learning or mimicking process. A Guidance Experience Template, Guidance Experience Evaluation Checklist, and Synthesized Guidance Practice were developed as aids to counselors, practitioners, and researchers exploring the experience of divine guidance. The findings of this study, and the development and implementation of guidance-related applications in this research, may advance the understanding of this common and historically significant human experience, and offer a valuable contribution to the fields of transpersonal psychology, spiritual guidance, and spiritual psychology.

This presentation is available at SlideShare.

The complete dissertation is available at Google Play and Dissertation Abstracts International.

The Archetypal Lens: A Presentation for an Integral Approach to Archetypes and Archetypes in the Cinematic Arts

The Archetypal Lens by Mark Allan Kaplan

“The Archetypal Lens” is a presentation exploring the preliminary application of an Integral approach to archetypes and archetypes in the cinematic arts. Presented at MetaIntegral Academy for the Advanced Meta‐Movieology Course on April 16, 2015. (DOI: 10.13140/RG.2.1.3885.0724).

The presentation is available at SlideShare.

Creative Inspiration

Through the years I have been creatively inspired by many things: a beautiful sunset, a tender human moment, a work of art, a song on the radio, a passing comment by a stranger or a passage in a book or newspaper. During my sophomore year of film school I received the creative inspiration for my film Gun, while I was listening to the Beatles' Happiness is a Warm Gun on the stereo and reading a newspaper article about handgun violence. Suddenly, I saw a series of images in my mind's eye, which then unfolded into a series of stories. The rest of the story solidified when I rented a Magnum 44 prop gun and held it in my hand. I felt a powerful force inherent in the gun, which further inspired me to attempt to capture this presence on film. Throughout the entire process of making the film I felt guided by a creative spirit, receiving inspiration at each step along the way.

The word inspiration can be used to describe many things, including the drawing in of breath; a sudden brilliant, creative or timely idea; a creative influence or force that stimulates thoughts and/or ideas; or a divine influence or force that leads to wisdom, understanding, and/or revelation. Besides being inspired to create, I have also had the experience of receiving inspiration in the form of seemingly divine influence and guidance from the creative expression of others.

Rembrandt’s The Night Watch

One of these creative divine inspiration experiences happened to me at the Rijksmuseum in Amsterdam. I remember walking into the room where Rembrandt’s The Night Watch was hung. I froze in my tracks and softly gasped (inspired). The painting’s presence was so powerful that it felt as though I had entered the presence of some great force. The painting seemed alive, as though Rembrandt had captured the life energy of himself, the people he was painting and the presence of the divine, and fused it all into the paint and canvas. I sat in front of the paintings for hours, while it spoke to me through image, character, story, color and light about human struggle and divine yearnings within myself and within all of humanity. The messages I was receiving from the painting seemed to be answering some of the inner questions that had been on my mind just before I entered the museum. That night I lay in bed feeling a deep sense of gratitude for the gifts of the inspiration and guidance I had received at the foot of that giant wondrous canvas.

Art is contemplation.

It is the pleasure of the mind which searches into nature

and which there divines the spirit

of which Nature Herself is animated.

- Auguste Rodin

Months later, I had a similar inspirational guidance experience at the foot of Michelangelo’s David in Florence, Italy. Again, I felt a powerful presence in the work of art. Michelangelo and his David were alive in the stone. As I circled the towering figure, every angle revealed another emotional reality, from great courage to hidden fears. I spent the entire day with David; walking around him; sitting and gazing at him from different angles; and meandering through the gallery of Michelangelo’s other sculptures.

Michelangelo’s David and unfinished sculptures

At one point, I felt an inner prompting to go into the gallery by Michelangelo’s unfinished sculptures. I followed my inner guidance and found myself in the middle of an art class. The instructor was explaining to the students that Michelangelo believed that each piece of stone had an image within it waiting to be released and that the Divine revealed these images to him and his job was merely to release them from their stone encasements.

I saw the angel in the marble 

and carved until I set him free.

- Michelangelo Buonarroti

The instructor went on to say that Michelangelo also felt that a work was complete when he had learned the lesson he needed to learn, so sometimes he would leave a piece physically unfinished because he was finished with it internally. This, he added was a blessing for humanity, because without these unfinished works we wouldn’t understand how he created his masterpieces. Somehow, this information was exactly what I needed to hear in that moment. The lecture combined with the visceral experience of the sculptures gave me guidance for my life as an artist and my journey of the spirit.

Excerpt from the book The Search for a Divinely Guided Life by Mark Allan Kaplan, Ph.D.

CALL FOR SUPPORT OF MY WORK

I have set up a page on my website with links for how you can support my work in the world. This includes support through tax-deductible donations for my Integral Cinema research project and purchasing my books, videos and artwork.

If my work has touched you in any way I ask that you consider supporting my continuation of this work in whatever form you can.

I am deeply grateful for all the support I have received through the years and with your help I hope to continue my work for many years to come.

New Book Release: "The Search for a Divinely Guided Life"

Announcing the publication of 

THE SEARCH FOR A DIVINELY GUIDED LIFE
A Spiritual Autobiographical Inquiry into 

the Experience of Divine Guidance

by Mark Allan Kaplan, Ph.D.

NOW AVAILABLE
IN PAPERBACK AND KINDLE EDITIONS
 AT AMAZON.COM

THE SEARCH FOR A DIVINELY GUIDED LIFE is a first-person true account of one individual's quest for the Divine through time and memory, across many cultures and traditions, through dark nights, gentle graces, and unimaginable miracles and wonders, ultimately leading to the discovery of the one path within the many and the heart of divine wisdom and guidance itself.

SPECIAL OFFERS INCLUDE:

Free Kindle Edition with Purchase of Paperback Edition

Kindle Unlimited Subscribers Read for Free

Robin Williams Multimedia Tribute at MetaIntegral

Robin Williams and the Complex Loss of Fallen Star

MetaIntegral Foundation wanted to pay tribute to the late Robin Williams from an integral perspective, so they asked me to create it as their resident integral movie expert. I was deeply honored by their invitation and jumped at the change, since I was already exploring this loss from an integral and complex thought perspective for myself.

The experience of writing this work was a deeply personal one because the loss of Robin Williams touched me profoundly, as it did for so many. As this piece evolved it became both a deeply heartfelt and reflective work and a sort of multimedia virtual wake experience as I was drawn to and included relevant video clips of Robin.

I am deeply grateful for this opportunity and thank MetaIntegral for their encouragement and support.

Rest in peace, Robin.

ROBIN WILLIAMS TRIBUTE

Integral Cinema Studio Published in the Russian Journal "Eros and Kosmos"

The Integral Cinema Studio article series, originally published on Integral Life is being translated into Russian and published in "Eros and Kosmos" (Эрос и Космос), a contemporary online Russian language journal exploring integral, transdisciplinary and postmetaphysical perspectives.

The first article in the series, the Holonic Lens, is available at: http://eroskosmos.org/integral-cinema-act-1-holarchic-prism/

Announcing the Publication of "Integral Cinematic Analysis: Mapping the Multiple Dimensions of the Cinema and the Co-Evolution of Cinema, Consciousness, Culture, and Society"

The journal article "Integral Cinematic Analysis: Mapping the Multiple Dimensions of the Cinema and the Co-Evolution of Cinema, Consciousness, Culture, and Society" has just been published in the Journal of Integral Theory and Practice. Winner of the Complex Thought Engagement Award at the 2013 Integral Theory Conference. Available at: https://foundation.metaintegral.org/products/integral-cinematic-analysis.

ABSTRACT

This article provides an introduction to the application of integral and transdisciplinary approaches to cinematic media theoretical analysis. The theories and works of Jean Gebser, Edgar Morin, and Ken Wilber are used to potentially integrate major cinematic theoretical and analytical approaches into a comprehensive meta-approach that covers the objective, subjective, intersubjective, and interobjective dimensions of the cinematic arts. Specific integrally informed lenses of cinematic analysis are introduced as part of this meta-approach, based on Gebser’s perspectival structures, Morin’s cinematic complexity, and Wilber’s Integral framework. Potential benefits for the meta-approach are presented, including a deeper and more expansive understanding of the complex interrelatedness of the experience, form, language, and context of cinematic works, collective works of individual cinematic artists, genres and styles, and collective movements within the medium, along with the evolution of the cinematic medium itself and its relationship with the evolution of individual and collective consciousness, culture, and society. 

Preparing for a Mystical Passover

On the physical or outer level, preparing for Passover includes the cleaning of the house and the removing of leaven. On the spiritual or inner level, these physical rituals can be transformed into a clearing away of our inner obstacles to personal freedom, through conscious intention, ritual and prayer.

Cleaning the Inner and Outer House

Beginning on the new moon, two weeks before the start of Passover, we begin to simultaneously clean our physical house (spring cleaning) while we begin “…a serious exploration of the meaning of freedom, creativity, the birth and rebirth of identity” (Waskow, 1982). We ask ourselves: What mitzrayim, what tight spots, do we need to leave behind us this year? What buds and sprouts of inner change do we see in ourselves and in the world around us?

As we clean our physical home of dust and dirt, we can imagine we are cleaning our inner home (inner being) of the perceptions and habits that keep us from living life fully…our narrowness of mind and heart. Depending on your level of observance, this house cleaning could also include changing over your entire kitchen to include Kosher for Passover foods, dishes, silverware, utensils, etc.

The Search for Chametz

At the same time as we clean our inner and outer house, we search for and remove all the leaven from our homes. On the physical level, leaven or Chametz, refers to “…any mixture of flour and water that has been allowed to ferment for more than 18 minutes” (Rabinowicz, 1982); this includes all breads, cereals, and other foods made from wheat, barley, spelt, oats, rye and corn. On the spiritual level, leaven refers to those aspects of ourselves that lead to self-inflation, possessiveness, competitiveness, jealously, and lust (Waskow, 1982).

The process of this inner and outer removal of the leaven begins with a search throughout the house for any physical leaven while we search within ourselves for our psycho-spiritual leaven. Once we collect the leaven, we nullify it through ritual and prayer, and then remove it from our possession either by selling it, burning it or donating it to charity. As you collect each piece of leaven in your home you can imagine that it is a part of your self that is inflated, selfish, forgetful or fearful, and that as you remove it from your home, you are also removing it from your psyche.

Excerpt from A Mystical Passover: A Transformational Passover Haggadah by Mark Allan Kaplan Ph.D. with mandala art by Maja Apolonia Rode. Available at AMAZON, BARNES & NOBLE, and other sources.