Integral Cinema Project Receives Fiscal Sponsorship from Fractured Atlas


The Integral Cinema Project has been granted fiscal sponsorship from Fractured Atlas, a non-profit arts service organization, allowing us to receive tax-deductable donations by check and credit card as well as non-cash donations of property (equipment, materials, etc.).





Non-Cash Donation of Property
(Equipment, materials, etc.)


Unfinished Work




I was touring Europe and visited the Galleria dell'Accademia in Florence, Italy where Michelangelo's David is housed. There was an art class walking through the Galleria and I tagged along. The instructor was showing the students Michelangelo's unfinished sculptures and explaining to them that Michelangelo left many of these behind because he would stop working when he learned what he needed to learn. Sometimes this coincided with the manifest completion of the physical work, but often he would walk away from a work "unfinished" because something within himself told him it was time to move on. Then the instructor said something that blew my mind. He said that "strangely" enough, these unfinished works have been the most valuable to art historians because they have given us a complete and accurate map of just how Michelangelo worked. So in the end, his unfinished works were a profound gift to humanity. This really rocked my world. I sat there alone, looking at his unfinished works, for several hours, as my mind and soul deconstructed the notion of what it means to complete something.

In Loving Memory of My Father - Harold Kaplan (1919-2010)


Today my father passed from this world of form. I have entered that thin-place between the worlds that is the altered state of loss and grief. The father that gave his seed for my birth into this world is gone. The image of my father within me is in flux, as projection, reality, and archetypal forces swirl loose from their intra-psychic moorings. Memories of all the moments of love, challenge, bonding, and all the perfectly imperfect father-son experiences dance in the silence between the world of doing and the world of being. My father always believed in my gifts and talents. His eyes lit up with joy and pride at the sight of all my endeavors. Though we were different in so many ways, I always felt his quiet acceptance. Every time I draw a line on a blank piece of paper I will remember sitting at his architectural drafting table. Every time I face a challenge I will remember how he never retreated or surrendered. I will always remember his charm and his love for life. And though he was a greatly imperfect being, as am I, there is nothing I now hold against him or against myself. All that was love shines bright; and all the illusions of fear and doubt within and between us have melted away. He danced this life the best he could, I danced with him the best I could, and his light and love shines through and into my mind and heart and spirit. I feel grateful that his suffering has ended; and blessed for having him as my father. Goodbye my father. Thank you for loving me so unconditionally and so beautifully imperfectly.

Integral Cinema Presentation


Towards an Integral Cinema: The Application of Integral Theory to Cinematic Media Theory and Practice.

Abstract: A historical, theoretical, and viewing analysis is offered of Germaine Dulac’s “integral cinema movement” of the 1920s, suggesting an early introduction of Integral consciousness into cinematic media that corresponds to and predates both Jean Gebser’s and Ken Wilber’s Integral Theories. Defining characteristics of what may constitute an integral cinematic work are mapped out and developed into a set of evaluation criteria using the works of Dulac, Gebser, and Wilber. A preliminary typology of forms of Integral cinematic creation is also presented, and the potential benefits and challenges for the application of Integral Theory to cinematic theory and practice are discussed.

Presentation at Integral Theory Conference 2010 on July 30th, 2010 by Mark Allan Kaplan, Ph.D.

My First Integral Cinematic Experiment



A little over ten years ago I had my first encounter with what might be called “integral filmmaking.” I had been studying Ken Wilber’s Sex, Ecology, Spirituality (1995) and practicing George Leonard and Michael Murphy’s Integral Transformative Practice (ITP) on a daily basis. One day I performed my ITP Kata (a set of integrated body, mind, and spirit exercises) right before running a camera test on my new digital video camcorder. Still being in a post-practice transformative state, I had a profound cinematic experience. As I moved through the house with the camera on, I appeared to be fully aware and conscious of my inner experience, the camera in my hand and the space within which I was moving. I exited the house and was drawn to our koi pond. Once there, I felt drawn into the world of the pond and entered a deep state of pure presence or witnessing. My camera became my eyes, and my body, my awareness and the camera danced with the fish, the gently rippling water, the shimmering sunlight, the caressing wind and the material forms of the pond and its surroundings. I spent hours at the pond, lost in a deep cinematic meditation process. Afterwards I felt a profound sense of gratitude and grace.

When I viewed my footage I was amazed at what I had captured. There before my eyes appeared to be a cinematic example of the four dimensions/perspectives of Wilber’s Integral Theory (Subjective/I Space; Inter-Subjective/We Space; Objective/IT Space; and Inter-Objective/ITS Space): Besides the physical reality of the pond (IT Space) and the environment within and around it (ITS Space), I had footage of the individual koi fish in which I could sense their individual presence (I Space) and footage of the fish in pairs and groups that seemed to reveal a collective and inter-relational presence (WE Space).

I decided to continue my accidental experiment, spending the next few days editing the material while in a post-ITP state. I would basically perform my ITP Kata (Leonard & Murphy, 1995) and then sit down at the computer and edit in that state. It was a wondrous experience, and once I finished, the viewing of the final work sent me into the very state I experienced while shooting it. When I showed it to a few people they all said the same thing -- that the video put them into a very relaxed state and gave them the experience of actually being at the koi pond.

References

Kaplan, M. A. (2002). The Pond [Digital Video]. http://www.markallankaplan.com/cine/pond.htm

Leonard, G. & Murphy, M. (1995). The life we are given: A long-term program for realizing the potential of body, mind, heart, and soul. New York: G. P. Putnam's Sons.

Wilber, K. (1995). Sex, ecology, spirituality: The spirit of evolution. Boston, MA: Shambhala.

Integral Cinema Project Advisor Announcement: Sean Esbjörn-Hargen, Ph.D.


Sean Esbjörn-Hargen, Ph.D. has agreed to be an advisor on the Integral Cinema Project. Sean is an associate professor and founding Chair of the Integral Theory Program at John F. Kennedy University in Pleasant Hill, California. He is a leading scholar-practitioner in Integral Theory and has worked closely with Ken Wilber for a decade operationalizing the integral (AQAL) model in multiple contexts. Sean is a founding member of Integral Institute and currently serves as their Vice President of Applications and Research. He is also the founding Director of the Integral Research Center, the founding Executive Editor of the Journal of Integral Theory and Practice, and co-founder of the biennial Integral Theory Conference. Sean is one of the most published authors applying the integral model to a variety of topics, including: Research, consciousness studies, intersubjectivity, education, sustainable development, ecology, science and religion, and play. His articles have appeared in academic journals such as the Journal of Consciousness Studies, World Futures, ReVision, and Journal of Humanistic Psychology. He also co-edited Ken Wilber’s book The Simple Feeling of Being, (2004) and is the co-author of Integral Ecology: Uniting Multiple Perspectives on the Natural World (2009) and the editor of Integral Theory in Action (2010). You can learn more about Sean at: http://www.rhizomedesigns.org/

Integral Cinema Project Receives Fiscal Sponsorship from the San Francisco Film Society

SAN FRANCISCO FILM SOCIETY
The Integral Cinema Project has been granted fiscal sponsorship by the San Francisco Film Society, making all donations to the project tax-deductable.

To make a donation please visit the the SFFS Integral Cinema Project donation page at:

http://www.sffs.org/donate/donate-now.aspx?pid=712

My First Taste of an Integral Life


My first inkling of an integral life came upon me when I was sitting at the bedside of my dying mother in the spring of 1993. Alzheimer’s and a severe stroke had taken their toll upon her and she could no longer see, speak, or move her body, except for small motions of her hands, head, and feet. As I sat by her side with various members of my family for several days, I had a profound mystical experience. All my years of studying many different spiritual traditions, mysteriously and automatically coalesced into a multi-tradition integrative practice of prayer, meditation, and presence that appeared to assist my mother and my whole family through the dying and grieving process, while also transforming my own heart and mind.
 
After this profoundly sorrowful and grace-filled experience, I began to see how each spiritual tradition I had studied had its own unique gifts and perspectives, which when put together created a more complete picture of my self, the world, and the Divine. This gave me my first real glimpse of what it means to live an Integral Life; a life that strives to engage in a wondrous evolutionary journey of ever-expanding and integrating fields of awareness, revealing higher, deeper and more expansive visions of self, others, and the world.

Judaic Cycles of Prayer


Judaic spiritual practice can be divided into four major cyclical patterns of observance: The daily cycle – weekday practices; the weekly cycle – Shabbat practices; the monthly cycle – welcoming the new month; and the yearly cycle – festivals and Holy days (Falk, 1996). The daily cycle focuses on the cyclical spiritual practices that occur during the day and includes three prayer services (morning, afternoon, and evening) performed on weekdays (Sunday through Friday).  The weekly cycle draws us into the cycle of the Sabbath, which creates and honors the cyclical spiritual practices that occur at the end of each week. This cycle connects us with the sacred pattern of creation (the seventh day). The monthly cycle brings us into harmony with the phases of the moon and the cyclical spiritual practices that occur from month-to-month. The yearly cycle expands our practice to the historical and seasonal patterns of spirit through the celebration and observance of the festivals and Holy Days.

Two additional patterns of observance exist within and around these four major cycles. These patterns fall into the two categories of the momentary cycle and the life cycle. The momentary cycle consists of the blessings and benedictions that are practiced from moment to moment, awakening us to the sacredness of all things and providing a vehicle of expression for the gratitude we feel for the blessings in our lives.  These practices include blessings and benedictions for all our actions and reactions in life from eating, sleeping, and going to the bathroom to traveling, seeing beautiful sights, and experiencing something new. The life cycle observances are the blessings and benedictions we use to celebrate meaningful life events such as births, weddings, and funerals.

Prayers for the Awakening Self eBook Release


PRAYERS FOR THE AWAKENING SELF: A PSYCHO-SPIRITUAL SIDDUR FOR JUDAIC WEEKDAY PRACTICES


NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS

Prayers for the Awakening Self offers mystical and psycho-spiritual translations of traditional Jewish daily prayers and practices designed to invoke deep personal transformation of heart and spirit.

FREE ONLINE PREVIEW

TESTIMONIALS:

"I loved this siddur. Yesher koach!"
- Rabbi Rami Shapiro (Author of The Angelic Way and Minyon)

"This is a remarkable piece of work. I really enjoyed it, especially your humanistic translations of the prayers. Keep up the excellent work."
- Rabbi Roger Ross (Executive Director of The New Seminary)

OFFERED IN FOUR EBOOK (PDF) EDITIONS:
  • $10.00 – Read-Only eBook Edition for Digital Viewing Only
  • $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
  • $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
  • $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).

*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.

PRODUCT DETAILS:

Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: PDF, 8.5 x 11
Pages: 92 pages
Language: English/Hebrew
Item Number: OGPUB-PASE
ISBN-13: 978-0-9797980-2-3
ISBN-10: 0-9797980-2-7

AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/awakeningself.htm

Kosmic Surf


molecules swimming
in the atomic sea
particles becoming waves
waves becoming particles
table top ripples
from the hit
of my liquid fist

SOUND
echoing
turning into thought
into dream
into action
into matter
into nothing that matters

FEAR
dissolving
in an ocean
of connectedness

LOVE
undulating
in the Kosmic Surf

the future,
a one-eyed monster
wanting to be feed

the past,
a shadow
cast ahead

and now,
is…

NOW
riding the waves
Kosmic surfing
going with the flow
nothing else needed
to Know.

- MAK

Image: Particle Wave by me (MAK)

Fragmentation and Wholeness


I was standing in the rotating rooftop restaurant of the Atlanta Hyatt Regency Hotel, gazing out the passing windows and the moving cityscape beyond them. One of the buildings across the way had mirrored windows and was reflecting back a fragmented image of the Hotel I was in. In that moment I felt a strange mix of fragmentation and wholeness; as I stood inside a moving cylinder-shaped room, looking out at the image of the exterior of the space I was in reflected back at me in the fragmented mirrored windows across the way…it was like I was part of a spinning planet at the center of the whole universe, and at the same time, that planet was made up of pieces of something, that was a piece of something else. My mind went blank as I lifted my camera and captured the moment. Reflection upon reflection upon reflection, spinning and turning, a whole with parts of another whole…

Book Review: "A Mystical Passover" (KabbalahConcepts)

KABBALAH-CONCEPTS BOOK REVIEW NO. 12

Title: "A Mystical Passover: A Transformational Passover Haggadah"
Author: Mark Allan Kaplan, Ph.D.
Publisher: Original Gravity
URL: http://www.markallankaplan.com/publications/mysticalpassover.htm

With the Festival of Passover around the corner, I thought it appropriate to share with you details regarding a very beautiful and highly compacted text, in which the Pesach seder and the period of Omer are addressed from mystical and contemporary perspectives, these being aptly reflected in the title "A Mystical Passover: A Transformational Passover Haggadah." The author tells us that this work represents a process comprising, in his own words, "a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself."

Having said that, it is important to note that Mark Allan Kaplan's "Mystical Passover" offers all readers, Jews and non-Jews alike, a way to mental, emotional and spiritual transformation. The ancient saga of a nation being freed from bondage and slavery is "reinterpreted" in a manner which allows the reader the opportunity to have a personal "exodus," so to speak, i.e. being "freed" from the "bondage" of Mochin Katnut, the limited consciousness of the egoic pseudo-self, literally "passing over" into Mochin Gadlut, the condition in which personal consciousness is expanded to embrace the greater "whole," and so, whilst transcending into physical, emotional, mental and spiritual freedom, "awaken" the real "Self."

With his unique "Haggadah," Mark Allan Kaplan invites all and sundry to transform the traditional festival of "Pesach" into a personal journey in which "the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, the Awakening Self) from the bondage of the ego (Pharaoh)." What is truly effective about this specific journey of transformation, is the actual process of "acting it out" in a physical manner, e.g. cleaning the house and the traditional "Pesach" preparations, candle lighting, assembling of family and friends, chanting and the various aspects of the Passover Seder itself, etc., all interpreted from a mystical perspective, so that these will combine into a "pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom," which the author correctly maintains will lead to "the discovery of a personally transformative psycho-spiritual Passover experience."

The process expounded in "A Mystical Passover: A Transformational Passover Haggadah" also incorporates the "extended journey" beyond the "Festival of Passover," this being the seven week cycle known as "Sefirat ha-Omer" (Counting of the Omer). Traditionally these seven weeks comprise a period of self examination between Pesach (Passover) and Shavuot (Feast of Weeks). Each of the seven weeks represents a spiritual cycle attributed to one of seven Middot (qualities) equated with the seven lower Sefirot on the Kabbalistic Tree of Life, i.e. from Chesed to Malchut. Each of the seven days of the week is likewise related to one of the mentioned lower Sefirot, hence the days of the first week would be Chesed in Chesed, Gevurah in Chesed, Tiferet in Chesed, Netzach in Chesed, etc.

In this particular regard, I find the section titled "Meditation and Practices - For the Days of Passover and the Counting of the Omer" in Mark Allan Kaplan's "A Mystical Passover" especially meaningful and beneficial. The week/day/sefirah associations are rendered into physical, psychological and spiritual "aspirations," to be achieved by the one undertaking this "journey of transformation." For example, what the author terms the "weekly energies" of the seven weeks respectively associated with the mentioned Sefirot, would be "Mastery of the Body," "Mastery of the Ego," "Attainment of Willingness," "Attainment of Will," "Submission of the Soul," "Access to the Spirit," and "Contact with the Divine," all vitally important factors in what I like to call the "Work of Self Creation."

Now, this text is available as an ebook in various editions. A "personal edition" will cost you $22.00, permitting the printing of 4 copies, whilst the "family edition," which allows the printing of 8 copies, costs $40.00, etc. If these prices should not suit your pocket, you could acquire the "read-only" edition for $10.00.

So, check out Mark Allan Kaplan's website, and whilst you are there, you would do well to investigate the rest of that very interesting domain on the world wide web!!

Jacobus G. Swart
KabbalahConcepts, March 21, 2010
The Sangreal Sodality

The Birth of Trans-Opera: The Convergence of Cinema and Opera


A new form of opera emerged recently. For this year’s production of the Barber of Seville, the Florida Grand Opera company blazed new territory by using an animated digital screen backdrop for their production, adding depth, movement, and cinematic immersion to classic opera. This animated digital backdrop added evolving background environments replete with changes in location, light, and weather. It also added shadow characters that interacted with the live actors on stage, from groups of musicians and soldiers to a lone alley cat. Beyond these dimensions, the animated background also appeared to add greater symbolic and thematic depth to the relatively simple story of the Barber of Seville. Then, in the final moments of the opera, something even more wondrous occurred. The actors climbed up the steps of the central set piece and in the digital background, giant animated wings unfolded and began to flap. The juxtaposition between the animated backdrop and the live action actors and set pieces created the effect of flying to the heavens. The audience let out a collective gasp and for a few brief moments the stage was transcended and the audience, actors, and set pieces soared.

This convergence of opera with digital cinematic elements created a new multi-dimensional form of entertainment that could be called “trans-opera.” The birth of this new opera-cinematic hybrid is the work of French Director Renaud Doucet and Canadian Production Designer Andre Barbe, with the technical help of Miami’s Lava Studios. The impetus for the birth of this new approach came out of current financial constraints, and from these limits an artistic phoenix has risen. I feel honored to have personally witnessed this event.

Image, Form and Formlessness


I remember walking along the base of the Tetons’ and seeing the rays of the setting sun striking a giant cloud formation in front of me. I stopped dead in my tracks as the beauty of the sight filled my being and for a brief moment I was breathless. The giant cloud looked like an anvil.

There was something strange and wondrous about the juxtaposition between the fluffiness of the cloud itself and the heavy-mass-related anvil form of its shape. Several other people stopped and gazed up at the cloud. Some of us took photos, some just stared up silently, and others conversed about the sight they were sharing. For a few moments, we were a community of beings joining together in a shared mystical moment of beauty and grace. Then the shifting light of the sun, the currents of the wind, and the movement of the clouds began to transform the anvil-cloud back into just another cloud. The shared state of grace dissipated as well, and we all returned to our separate paths.

As I walked away and looked around me, I couldn’t help but wonder about the permanence and impermanence of any image or form…and I felt as though I had briefly touched the edge of formlessness. Deep gratitude and wonder filled me as I pondered the seemingly random string of simple everyday events and choices that brought me to this moment.

*Image: Anvil Cloud by MAK

What is Love?

 

I have traveled far to ask,

“What is Love?”

A Buddhist Monk once showed me that

Love is a compassionate heart;

A Christian Saint once showed me that

Love is a forgiving heart;

A Muslim Sheik once showed me that

Love is a devoted heart;

A Taoist Sage once showed me that

Love is a heart that accepts all things as they are;

A Jewish Prophet once showed me that

Love is a heart that sees the one within the many;

A Native American Shaman once showed me that

Love is a heart that feels the interconnectedness of all things;

A Hindu Holy Man once showed me that

Love is, when all that is not love ceases to be.

I have traveled far to ask,

“What is Love?”

And I have seen the many faces of Love,

and I have felt the many ways of Love,

and I have touched the heart of Love itself

and learned that

Love truly is all these things.

- MAK


*Image by: Daniel B. Holeman

A Mystical Passover eBook Release



A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH

NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS

A Mystical Passover: A Transformational Passover Haggadah offers a powerful psycho-spiritual approach to the Passover experience and includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike. This unique Passover haggadah incorporates all three levels of Judaic interpretation (Biblical, Talmudic, and Kabbalistic) and integrates perspectives and practices from all the current Judaic movements (Orthodox, Conservative, Reconstructionist, Reform, and Renewal).

FREE ONLINE PREVIEW

TESTIMONIALS:

"Thank you for your magnificent work. Our Passover was not only Mystical, it was magical."

"I received the Mystical Passover today. Thank you very much. It is so in line with my way of thinking. God bless you."

OFFERED IN FOUR EBOOK (PDF) EDITIONS:
  • $10.00 – Read-Only eBook Edition for Digital Viewing Only.
  • $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
  • $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
  • $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).

*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.

PRODUCT DETAILS:

Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: eBook (PDF), 8.5 x 11
Pages: 60 pages
Language: English/Hebrew
Item Number: OGPUB-AMPE
ISBN-13: 978-0-9797980-5-4
ISBN-10: 0-9797980-5-1

AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/mysticalpassover.htm